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If 'Full Metal Jacket' was the most complete, tragic, and brutally realistic manifesto against war in all its dramatic aspects, M.A.S.H. (Mobile Army Surgical Hospital) was the most entertaining, shameless, irreverent, and politically incorrect anti-militarist film in the history of cinema. Discover the review
If 'Full Metal Jacket' was the most complete, tragic, and brutally realistic manifesto against war in all its dramatic aspects, M.A.S.H. (Mobile Army Surgical Hospital) was the most entertaining, shameless, irreverent, and politically incorrect anti-militarist film in the history of cinema.
The director was inspired by some stories by Raymond Carver, delivering a film about people who love and hate; he shows us episodes of common life, individuals who meet or barely touch, struggling in 1990s Los Angeles to find space, a shred of luck, or perhaps just a bit of love. Discover the review
The director was inspired by some stories by Raymond Carver, delivering a film about people who love and hate; he shows us episodes of common life, individuals who meet or barely touch, struggling in 1990s Los Angeles to find space, a shred of luck, or perhaps just a bit of love.
And in the end, our guy allows himself to close with a touch of Lubitsch (actually telegraphed, I think Altman wanted to gag the audience good-naturedly) which inevitably "lit up" the spectators in the theater, who, having caught on, responded with their shouts and witty laughs of approval… Discover the review
And in the end, our guy allows himself to close with a touch of Lubitsch (actually telegraphed, I think Altman wanted to gag the audience good-naturedly) which inevitably "lit up" the spectators in the theater, who, having caught on, responded with their shouts and witty laughs of approval…
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