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This album, which fell into my hands, is one of the most incredible and complex records I have ever listened to. Discover the review
This album, which fell into my hands, is one of the most incredible and complex records I have ever listened to.
A masterpiece of electronic music produced by a genius of the laptop and "synthesization". Discover the review
A masterpiece of electronic music produced by a genius of the laptop and "synthesization".
Devine experiments, free from barriers and clichés, as one always wishes those serving electronic music would do (whose practically infinite potential makes those using it clumsily / pop / lazily appear ridiculous and laughable - even worse if with ideas copied from third parties who arrived before and/or pretentious star attitudes - and I think of people like Jarre, Vangelis, Underworld, Air, Fatboy Slim, Crookers, Moby, Guetta, Gary Numan etc., while Devine we put in the category of experimenters/creatives/eclectics/visionaries/anti-stars/anti-commercial rules; more simply Artists with guts, thus in the same container along with people of broad and very open inventive currents, connectable to concrete music, industrial, apocalyptic folk, abstract IDM, Detroit-techno, free jazz, ambient-techno, experimental rock, etc., but which, in most cases, are challenging to label, precisely because of their ability to break pre-packaged and already existing patterns.) Discover the review
Devine experiments, free from barriers and clichés, as one always wishes those serving electronic music would do (whose practically infinite potential makes those using it clumsily / pop / lazily appear ridiculous and laughable - even worse if with ideas copied from third parties who arrived before and/or pretentious star attitudes - and I think of people like Jarre, Vangelis, Underworld, Air, Fatboy Slim, Crookers, Moby, Guetta, Gary Numan etc., while Devine we put in the category of experimenters/creatives/eclectics/visionaries/anti-stars/anti-commercial rules; more simply Artists with guts, thus in the same container along with people of broad and very open inventive currents, connectable to concrete music, industrial, apocalyptic folk, abstract IDM, Detroit-techno, free jazz, ambient-techno, experimental rock, etc., but which, in most cases, are challenging to label, precisely because of their ability to break pre-packaged and already existing patterns.)
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