American sound artist working with minimalism, microsound, field recordings and ambient textures.

Reviews on DeBaser describe Chartier's work as employing musique concrète techniques, microtonal drones, field recordings and extreme reduction; his pieces often explore silence, repetition and subtle micro-variations.

Two poetic reviews (both 4/5) on DeBaser praise Chartier's austere, microsound-driven approach. They highlight field recordings, microtonal drones and a reductionist 'non-music' aesthetic. The writing frames his pieces as introspective explorations of memory and silence.

For:Listeners of minimal, ambient and experimental sound art; readers interested in field recordings, microsound and reductionist composition.

 MusiqueConcrète of contact.

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 A whisper, a rustle.

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