De Sica, playing the philosopher Seneca, represented the true cornerstone of the cast, with an over-the-top performance perfect for the film.

 Swanson, of course, disowned the film, saying it was one of the worst things she had ever shot.

Steno’s 1956 film Mio figlio Nerone stands as a notable parody of the peplum genre, featuring a remarkable cast including Alberto Sordi, Gloria Swanson, and Brigitte Bardot. Despite tensions among actors and mixed personal opinions about the film, the parody is praised for its refined script and comedic highlights, especially Vittorio De Sica’s role. The film remains a significant and entertaining revisitation for fans of classic Italian cinema and genre parodies. Discover the witty charm of Mio figlio Nerone and explore this iconic peplum parody today!

 I can affirm with absolute certainty and without any margin of error that good old Fabbri... is really him: one of the heroes of my childhood: the missing Lurch from The Addams Family!

 I sat through these almost two hours of tangled proto-political-war-like discussions... solely to carry out an ongoing check on a fact that has been gnawing away at my mind for a long time now.

The review humorously recounts the author's attendance at Dario Fabbri's challenging geopolitics lecture. Despite initial confusion about the topic, the author appreciates Fabbri's vast knowledge, sharp irony, and engaging delivery. Booking early secured a front-row seat, enhancing the experience. Ultimately, Fabbri's personality and expertise stood out, earning the author's admiration. Discover Dario Fabbri's captivating geopolitics lecture—read the full review and dive into world affairs with wit and knowledge!

 The greatness of the Captain, his most unthinkable and incredible achievement, was to wear and honor that jersey for 20 years and, on that jersey, that band, being the human specimen most antithetical and least assimilable to a team like Inter.

 Jersey number 4 is nothing but a misunderstanding turned icon, a formidable paradox.

This review highlights Javier Zanetti as a symbol of dedication, professionalism, and authenticity in the world of football. Despite the modern sport's flaws and excesses, Zanetti remains a 'normal' man who earned his legend by consistent effort and respect. His role as Inter's captain embodies a paradox given the club's chaotic nature. Zanetti's humanitarian work adds depth to his legacy beyond football. Discover the true story behind Javier Zanetti's legendary career and his unique place in football history.

 "When freedom becomes liberticide and when moral values fade away, then civilizations decline, logical no?"

 This cinematic transfer is essentially a vitellonesque projection on the child emperor, who holds the world like a toy, until he goes mad.

Tinto Brass' Io, Caligula is a tormented cult film mixing erotica, political satire, and a stylistic visual feast. Despite production conflicts and censorship, the film remains a provocative exploration of madness and decadence. The stellar cast delivers mixed performances under a lavish but chaotic backdrop. The movie is notable for its visionary yet kitsch quality and its portrayal of Caligula’s tragic descent into madness. Discover the provocative world of Io, Caligula—watch this cult classic and explore its controversial legacy now!

 How does one conceive the ethics of a self which is by definition ambivalent and also has to come into contact in every social relationship with the ambivalent psychic formation of others?

 The dualism you highlighted is nothing more than a phenomenological moment of relative value if considered in the Hegelian perspective.

The review presents a complex and philosophical exploration of ethics related to the album 'Faiv Domands To (Damned) DeBaserians - Question Uàn'. It discusses the ambivalence of the self and social relationships both in physical and virtual contexts. Users contribute varied, thoughtful, and sometimes humorous responses, reflecting on ethics, communication, and the nature of online communities. The dialogue also critiques site dynamics and user behavior without reaching definitive conclusions, inviting further reflection. Dive into the philosophical depth of 'Faiv Domands To' and explore how music inspires reflection on ethics and identity.

 Among the most intense, bold, neuronally destabilizing, and subliminally cathartic works presented in the past decade.

 A filmic structure dominated and permeated by an almost paradoxical stillness: indescribable endless long takes filled with deafening silences.

Sharunas Bartas’ 1996 film 'Few Of Us' is a daring and intense cinematic experience. Shot entirely in Siberia, it embraces stillness, silence, and long, hypnotic takes. The film defies conventional narrative with no dialogue and minimal human interaction, creating a deeply cathartic and exhausting viewing. Presented at Cannes in the Un Certain Regard section, it stands as a bold work of visual and emotional art. Explore Sharunas Bartas' bold and immersive film 'Few Of Us'—an unforgettable journey into cinematic silence and visual poetry.

 "An incontrovertible proof of the imposing majesty and the sound-forwardness of the ArtistA in question."

 "Amidst shimmering sounds of old mimeographs, belligerent oboes, roaring pre-Stock(84)hausenist raviolomachines, mammoth bell clangs mixed with more elegant ringing."

This review highlights Michele Scommegna's avant-garde proto-sonic album from 1959, emphasizing its bold experimentation and sound-forwardness. It situates the work within the historical context preceding Nicola Di Bari's mainstream career. The reviewer praises the album's innovative use of unusual instruments and sonic textures, considering it a hidden gem worth rediscovery. Despite its obscurity, the album is recognized as a testament to the artist's majesty and creativity. Discover Michele Scommegna's avant-garde album and experience a unique journey into experimental sound.