Cover of Red Hot Chili Peppers Mother's Milk
FabbioAW

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For fans of red hot chili peppers, lovers of funk rock and punk fusion, rock music enthusiasts looking for classic albums
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THE REVIEW

I want to be honest: I enjoy writing about my favorite records much more than about rubbish (the only one was "The Great Escape Artist" by Jane's Addiction), so, following the advice of my friend Giulio, I'm putting this Chili Peppers LP, dated 1989, on the Homepage for you.

Writing about my favorite work from my favorite band ("Vs" by Pearl Jam) seems to have unleashed hell on earth. Let's see what will happen with my favorite album by my second favorite band. Perhaps it's time to change the term since I've already used "favorite" five times! Even though it perfectly describes the feelings I have toward these songs, and not just towards the woman on the cover, as some of you sly foxes might think...

I want to mention the talents of each member of the classic lineup in their first effort together.

Let's start with Kiedis, the charismatic frontman, who in his Apache-Lithuanian face embodies the traits that the Red Hots have in the collective imagination. This is his first recorded album as a "clean" man (so he says, anyway...). At the time, he knew how to do what he did better than anyone else. Not that it was particularly difficult to shout over funk-rock bases, but extremely long lyrics condensed into very, very short times, like in "Punk Rock Classic," I consider art. Maybe I'm exaggerating a bit...

Flea is the highlight of the album. This is his best work. For someone who plays the bass, like me or the aforementioned friend Giulio, it's always a pleasure to play this album from start to finish, standing next to the stereo, strumming the strings with our calloused thumb! If you appreciate Micheal Balzary, you MUST have "Mother's Milk."

Frusciante. I kind of want to laugh...! Here he was just 18, the same age as me, but he was already capable of creating an incredible and particularly technical work of layering funky and sometimes metal guitars. Disproving the saying "old hens make good broth," since from "Californication" onwards, his style has always made me... repulsed. Can you say that on TV? Ah, it doesn't matter; we're on Debaser. But really, in his second era as a chili pepper, I think he always held back the band, keeping the best for solo albums like "The Empyrean." A glaring example is "By The Way": Flea wanted to make a punk album, and John forced him (the bassist even left the band for a short period) to put out a bad album. But bad, huh! Actually, very bad!

I realize that (maybe) I'm going off-topic. A quick comment on Chad Smith who, apparently, has never shown too much inventiveness in his career. In reality, for a drummer (yeah, I play that too), it's easy to recognize the complexity, the study, the meticulous work this jovial fellow does behind the skins.

The songs are not up for debate. They are all equally strong. Sometimes the rhythm slows down and becomes seductive, like in "Sexy Mexican Maid" or the instrumental "Pretty Little Ditty," the Peppers' first clash with melody. If you want to savor opium-induced madness, I recommend the tracks "Magic Johnson" and "Nobody Weird Like Me." The best one? I say "Stone Cold Bush," perfection in every second of it. In every atom, as Negrita would say! But wait a moment... I need to make a correction: there's one track that isn't "equally strong" as I said before, and it's "Subway To Venus." The only one I always skip, and I know this will cost me some points from some of you.

Then there's the gem "Fire" by Jimi you-know-who, a real classic played here by the four founders, already featured on the "Abbey Road E.P.," the one with the cover showing our four nude guys on the street in the middle of January, with a sock around the foreskin and pubic hair on full display. What a class act.

What else to say? Oh, yes! Today I want to show off and say that on December 10th, I played on stage with... TM STEVENS! It has nothing to do with the review, but the 13th is my birthday, and after all, this country still theoretically guarantees freedom of speech. I'm not modest and proud of it, hahahahah!!! Go ahead, comment. Insults or compliments, do as you please. Thank You!

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Summary by Bot

This review celebrates Red Hot Chili Peppers' 1989 album Mother's Milk as a funk rock milestone featuring the band's classic lineup. The author praises Flea's bass and John Frusciante's youthful guitar work while acknowledging Chad Smith's solid drumming. Song highlights like 'Stone Cold Bush' and 'Fire' stand out, with only 'Subway To Venus' receiving criticism. Overall, the album is viewed as a favorite work of the band, full of energy and musical talent.

Tracklist Lyrics Videos

01   Good Time Boys (05:01)

02   Higher Ground (03:22)

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03   Subway to Venus (04:25)

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04   Magic Johnson (02:56)

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05   Nobody Weird Like Me (03:49)

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06   Knock Me Down (03:44)

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07   Taste the Pain (04:31)

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08   Stone Cold Bush (03:06)

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10   Pretty Little Ditty (01:36)

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11   Punk Rock Classic (01:46)

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12   Sexy Mexican Maid (03:22)

13   Johnny, Kick a Hole in the Sky (05:09)

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Red Hot Chili Peppers

American rock band formed in Los Angeles in 1983, known for blending funk, punk and psychedelic influences; core figures include Anthony Kiedis, Flea, John Frusciante and Chad Smith.
72 Reviews

Other reviews

By trapano

 Flea is always uncontainable (listen to NOBODY WEIRD LIKE ME), and Kiedis sings at maximum speed as in Punk Rock Classic.

 An essential album in the Peppers' discography: certainly as important as the more famous Blood Sugar Sex Magik. A must-have!


By joe strummer

 Mother's Milk is a direct, spontaneous, and inhomogeneous work, a cauldron of energy and fun.

 John's grating guitar was necessary for this shift towards more powerful, yet less unique sounds.


By Flea

 This is, in my judgment, one of the best RHCP albums.

 The CD… starts off strong with the rocking Good Time Boys filled with Kiedis’s playful rap and the funky and surprising guitar interplays.