Procol Harum were among the major exponents of the "neo-classical" rock music scene of late 60s British music.
Their first album, self-titled, was released in 1967 and is a collection of their best singles. The album immediately presents itself to the listener with a sound characterized by Fisher's Hammond organ, Trower's electric guitar, Brooker's piano (vocalist and composer of most of the repertoire), and above all, the use of classical music to compose tracks with epic and poignant soundscapes.
"Conquistador" is a happy combination of blues and orchestral sounds, while "Mabel" and "Good captain Clack" are noted as the only moments of fun in an album with serious sounds. The excellent instrumental "Repent Walpurgis" is characterized by a fluid and majestic sound and the duel between organ and guitar constantly accompanied by keyboards. "Homburg" can be considered their signature track par excellence: prominent organ and a certain sonic staticity that gives melancholic cadences to the engaging chorus. "A Whiter Shade of Pale" is one of the biggest hits in history (10 million copies sold in 1967): a stirring melody (inspired by 2 Bach themes) for Hammond organ characterized by a dreamy text, an almost psychedelic sound, and Brooker's powerful voice.
In conclusion, the album is highly enjoyable as it manages to combine typically pop melodies with redundant and majestic arrangements and also confirms Procol Harum as the pioneers of a certain type of rock, vaguely progressive, a genre that shortly thereafter will be established with the various King Crimson, Genesis...
"The use of dual keyboards characterizes the sound of Procol and is made possible by Matthew Fisher’s organ, which gives the band an unmistakable sound."
"'A Whiter Shade Of Pale,' a delicate refrain that sketches a melancholic yet captivating song... an album worth the euros paid, a nice starting point for those who love high-level pop."