After creating the metropolitan masterpiece of the eighties and reuniting with John Cale for Andy Warhol's epitaph, Lou Reed releases an album centered on the fragility of existence and loss, dedicating it to the memory of two people (musician Doc Pomus and friend Rita) who died within two years from incurable illnesses.
The importance of the themes addressed is indicated by the translation of the lyrics into various languages. The lyrics confront the theme of death without any coyness and are accompanied by sparse arrangements intended to let us partake in the artist's feelings (who, incidentally, decided to perform these pieces mainly in theaters). The album starts with the spectral "Dorita" and continues with a reflection on life in the rhythmic "What's Good"; the artist describes his experience in "Power and Glory" in which the voices and echoes perfectly depict the drama that leads to "Magician", an extraordinary piece that brings us back to certain atmospheres of "Berlin". "Sword Of Damocles" describes Reed's awareness of having surpassed moments when death was forthcoming and introduces the funeral pace of "Goodby Mass" and the painful and "cyclical" voice of "Cremation and Dreamin'". The folk cadence of "No Chance" and the rock tone of "Warrior King" are in perfect symbiosis with the lyrics and anticipate the utter despair that permeates "Harry's Circumcision", while listening to "Gassed and Stocked" feels like witnessing the explosion of telephone wires.
The album finds its worthy conclusion (after the electric transfiguration of "Power and Glory, Pt. 2") in the stunning title track that rightfully joins the ranks of the best songs-poetry in the history of popular music (especially stunning is the final phrase that encapsulates the entire work: "There is a bit of magic in everything and then some loss to even things out"). Ultimately, this album concludes an ideal trilogy of death, demonstrating once again how Lou Reed is one of the most refined poets in American history.