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It’s as if he presents himself as a film director with a loud slap: no concessions to any kind of image aesthetic; no realism in dialogues, gestures; only provocative infractions. Communication does not occur: to put it better, it does, but essentially through the barren word underlying the scream, the empty glances, the neurosis expressed by sudden gestures; above all, the silences.
It’s as if he presents himself as a film director with a loud slap: no concessions to any kind of image aesthetic; no realism in dialogues, gestures; only provocative infractions.
Communication does not occur: to put it better, it does, but essentially through the barren word underlying the scream, the empty glances, the neurosis expressed by sudden gestures; above all, the silences.
Discover the raw intensity of Fassbinder’s debut—watch Love Is Colder Than Death and dive into the roots of a cinematic genius.
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