The space is warm and the moment is cathartic.
This is the time for digressions because “Hot Space” (1982) represents the most marked rift in Queen's career, a division that still divides opinions and that back then pushed the album, let's be clear, to the flop bottom. This review will be quite lengthy as it will try to understand all sides of the story.
Up to this point, Queen had ventured into both typical and atypical tracks, rock (English), rock ‘n’ roll (American), folk, country, and more. “The Game”, the previous album, represented, as has been said, a stitching together of old and new, a solid point in the past and a leap towards the present. The band was born as a rock group but demonstrated, in terms of genres, to be at times histrionic, yet never completely overturning this rule over time. “Hot Space” was a slap in the face to all those fans who felt betrayed because, where “The Game” had represented a safe harbor (rock ‘n’ roll) and a plunge into the sea (disco music), this is almost entirely focused on the prevailing disco music. What happened? How do we stand today in front of this compromised album? Let's take a look at the track by track and draw our conclusions. In the meantime, let’s see what our Queen have been up to.
1) "Staying Power". Mercury. Born with the title "Fucking Power", it doesn't actually change in substance because the theme is as hot as the entire album. It narrates the sexual act in a rather crude and direct manner yet symbolic of the kind "look what I have, I have loads of it, it’s a charged dynamo, I wonder when you will give it to me!". Where have the "witty" Queen gone when it came to describing sex? Oh well! The rhythm is very pleasant and the arrangements with the synthesized and non-synthesized trumpets are top-notch. John Deacon is in sparkling form. This is his album. The finale gives us an orgasmic simulation that perhaps not everyone understood "Power, power, power, poweeeer uoooh…" A great vocal form of Mercury. One of the iconic tracks of the album and one of the best.
2) “Dancer”. May. The level falls like a train from a roller coaster. Such a predictable and fully 80s synchronized track could not be obtained, and not even Freddie’s vocal leaps redeem it. Again, sex is at the center and the four portraits on the cover in warm colors are aware of it. Decidedly banal and boring.
3) "Back Chat". Deacon. An interesting piece that stands halfway between an original idea and standard 80s ideas. Thematically, it analyzes all the bad rumors about Freddie Mercury and company, and Freddie even shoots a video in a disco/mechanical where there is no one and strange symbols like the hot key that find no response. It seems like a track, like the first two, conceived to be danced to and Brian May's guitar, so far almost absent in the album, finds some growls. Appreciable.
4) "Body Language". A great placement as a single in the USA but poor in the UK. One of the high peaks of the entire album. A dance-swing experiment in which a superb Freddie Mercury reaches dizzying heights, proving to be a talent like few others. John Deacon again! An amazing arpeggiator with great creative charisma. This song too is very lusty, let’s be honest: "great thighs, you have the greatest ass I’ve ever seen". Worthy of the best disco music of the 80s.
5) "Action this day". Taylor. Here’s the binary rhythm on which all 80s music is based but much sped up by Roger Taylor. Very lively and delightful to listen to. A tasty cocktail of central synthesizer (in the embryonic track it was even longer and more interesting) and trumpets. It’s a song that puts you in a good mood with its somewhat cunning and playful rhythm. Well done Roger!
6) "Put out the Fire". Brian May has always claimed to hate this album but we know why: he didn't have much space. However, this is a track where he, the author, can awaken his guitar a little. A piece that slips quite rockish but does not manage to reproduce the emotions of truly “rocky” times. There’s a chasm despite deserving a pass even for the text that ironically invites stopping the fire. Once again the hot element but in a social key. Sufficient.
7) "Life is Real (Song for Lennon)". A piece by Freddie dedicated to John Lennon who had been gone for 2 years. Very full of emotions and very sad even though it’s not a slow ballad but very carrying. References to “Kubla Khan” by Coleridge as “the pleasure palace” and to mystery novels. It’s a track that invites reflection that life is a serious matter and it’s of very evident cosmic pessimism. And to think that the original idea started on a plane with Freddie noting down on a piece of paper “cum stains on my pillow", then correcting the first word to “cunt” and finally to “guilt”. Your turn to translate. Note the intensity with which he sings “Lennon is a genius, living in every pore.” Who knows where the two will be today and this song truly sends shivers down your spine. And what a suggestion. A fairy tale.
8) "Calling all girls". Another binary rhythm but a piece that represents the scum of the album. Ugly, horrible, not creative, lyrics of absolute dumbness. The video was banned. Only the arrangement is saved, just imagine. Taylor wrote a real joke but the fault lies with the entire group. And what are those "fart" style effects in the middle of the track? No, we’re not there at all.
9) "Las Palabras de Amor". Born after the mega South American tour where Queen reaped incredible successes filling stadiums with 200,000 spectators, this is a track where the true Brian May, the author, emerges. Beautiful, very beautiful with a chorus in Spanish. By now we have understood that synthesizers have become relatives to Queen but that keyboard arpeggio by Brian is one of the most celestial things I have ever heard. Good blood doesn’t lie…
10) “Cool Cat”. What a track! Very summery reggae. Sung all in falsetto (more or less) and written by the two inventors (culprits?) of disco music in Queen’s warehouse (Mercury/Deacon). It is a track to listen to in a car on a journey with summer landscapes in view. The text speaks of a cheeky type, who knows who, not a cat! Initially, David Bowie contributed by singing grave parts to accentuate the “heat” of the track but then the idea was discarded. What a pity! The most summer track by Queen.
11) "Under Pressure". After Queen came from a stunning success with “The Game”, tour and “Flash Gordon” and David Bowie with “Scary Monsters”, the number one spot on the charts and the love that the world still feels for this song is just the minimum. Two great voices, one tenor and the other baritone, that typical snapping of fingers, these two roots of glam, this track is so “baroque” in architecture yet so catchy, that such magnanimous and immense end make “Under Pressure” a top 10 Queen song. In a world of such strong pressure, let’s give love another chance… Unforgettable…
If “Hot Space” was well received in the USA, if it is so liked by those Italians who are getting to know Queen's discography better and remain disappointed perhaps by the early albums and not by this one, and if this was a flop in the UK, the reason is simple and historical. In the USA, disco music had been arousing strong interest for years, Italy likes melody and rhythm more than rock noise, for historical English fans it was, however, an incredible disappointment. Not only had the English lived on bread and rock but they were not used, in the case of Queen, to a total break with the past. David Bowie, yes, he could afford to switch from album to album and completely overturn everything that had been built before. His fans were used to it and expected it. Not Queen! Their evolution up to “The Game” had been always gradual but now it seemed excessively radical. Put yourself in the shoes of the historical fans! Seeing Brian May relegated to the corner just when his “special” guitar made the Queen sound unique must not have been nice. There were also discontents within the group and, for the first time in their history, they decided to take a year off. That strong decision to change style and talk about almost only "sex slapped in the face" through an entire album was also a sign of fatigue, inevitable after 10 uninterrupted years.
The one to suffer the most was May but Mercury was quite satisfied and aware that "the Boh Rhaps era is over and today I wrote Body Language with the same feeling of that track years ago. I could no longer write Bohemian Rhapsody as I am today."
“Hot Space” is a beautiful album where Queen, to avoid falling into the banality of redoing rock or rock ‘n roll again, stumble upon commercial dance yet 3 or 4 pearls of music, which they work on like great craftsmen, are once again guaranteed.
Tracklist Lyrics and Videos
01 Staying Power (04:14)
Words and music by Freddie Mercury
Let me show it to you yeah
See what I got - I got a hell of a lot
Tell me what you feel
Is it real is it real?
You know I got what it takes
And I can take a lot
Did you hear the last call baby?
You and me got staying power yeah!
You and me we got staying power
Staying power (I got it I got it)
I wonder when we're gonna make it
I wonder when we're gonna shake it
Rock me baby rock me
C'mon you can shock me
Let's catch on to the groove
Make it move make it move
You know how to shake that thing
We'll work it work it work it
You and I can play ball baby
You and me got staying power yeah
You and me we got staying power
I wonder when we're gonna make it
I wonder when we're gonna shake it
Fire down below I'm just a regular dynamo
Want some smooth company
Don't lose control just hang on out with me
Got to get to know each other
But we got plenty of time
Did you hear the last call baby?
You and me got staying power yeah
You and me we got staying power
Power power power...
I wonder when we're gonna stick it
I wonder when we're gonna trick it
Blow baby blow let's get down and go go
Get yourself in the mood
Got to give a little bit of attitude
Baby don't you crash
Let just trash trash trash
Did you hear the last call baby?
You and me got staying power yeah
You and me we got staying power
(I like it) Staying power
Yeah yeah
Gotcha
02 Dancer (03:48)
Words and music by Brian May
I'm not invited to the party
Been sitting here all night
I'm all alone at the party
I don't feel all right
Ain't got no black coat
Ain't got no tie
I gotta shape up now
Come on baby you gotta know why
Take off!
Dancer dancer
I can't live with it I'm gonna die without it
Dancer dancer
Ain't no doubt about it
Dancer dancer
Why don't you kick off your dancing shoes
And come and ride with me? Cool
You're the life and soul of the funk-tion
It took me all night
To get hold of the right introduction
Blew me out of sight
I taste your lipstick
I look in your eyes
You feel fantastic
My body cries
Take off
Dancer dancer
I can't live with it I'm gonna die without it
Dancer dancer
Ain't no doubt about it
Dancer dancer
Why don't you kick off your dancing shoes
And come and ride with me?
Hot space let's go!
Yeah - can I see you baby?
Dancer dancer
I can't believe you're dancing
Dancer dancer
Can't take you home
I can't take you dancing
Dancer dancer
Bring out the funk and dance the night away
Dancer dancer
We got bully
Dancer dancer
Dancer dancer
Dancer dancer
Dance dance dance dance
Dancer dancer
04 Body Language (04:33)
Words and music by Freddie Mercury
Give me your body
Give me your body body
Give me your body
Don't talk don't talk don't talk don't talk
Baby don't talk
Body language
Body language
Body language
Give me your body
Just give me, yeah, your body
Give me, yeah, your body
Don't talk
Body language huh huh
Body language
Body language
You got red lips snakes in your eyes
Long legs great thighs
You got the cutest ass I've ever seen
Knock me down for a six any time
Look at me I gotta case of body language
Look at me I gotta case of body language
Look at me I gotta case of body language
Look at me I gotta case of body language
Of body language
Of body language
Yeah sexy body sexy sexy body
I want your body
Baby you're hot
Body language
Body language
Body language
Body language
Body language
Body language
Body language
Body language
Body language
06 Put Out the Fire (03:19)
Words and music by Brian May
They called him a hero
In the land of the free
But he wouldn't shake my hand boy
He disappointed me
So I got my hand gun
And I blew him away
That critter was a bad guy
And I had to make him pay
You might fear for my reason
I don't care what they say
Look out baby it's the season
For the mad masquerade
Put out the fire put out the fire put out the fire
Oh you need a bullet like a hole in the head
Put out the fire put out the fire put out the fire
Don't believe what your grand-daddy said
She was my lover
It was a shame that she died
But the constitution's right on my side
'Cause I caught my lover in the neighbours bed
I got retribution
Filled 'em all full of lead
I've been told it's the fashion
To let me on the streets again
It's nothing but a crime of passion
And I'm not to blame
Put out the fire put out the fire put out the fire
You need a weapon like a hole in the head
Put out the fire put out the fire baby put out the fire
And let your sons and daughters sleep sound in their beds
You know a gun never killed nobody
You can ask anyone
People get shot by people
People with guns
Put out the fire put out the fire put out the fire
You need a gun like a hole in the head
Put out the fire put out the fire put out the fire
Just tell me that old fashioned gun law is dead
Shoot shoot..
10 Cool Cat (03:30)
Words and music by Freddie Mercury and John Deacon
Ooh yeah yeah yeah yeah!
You're taking all the sunshine away
Making out like you're the main line (I knew that)
'Cause you're a cool cat
Tapping on the toe with a new hat
Ooh just cruising
Driving along like the swing king
Feeling the beat of my heart huh!
Feeling the beat of my heart
Ooh you're a cool cat
Coming on strong with all the chit chat
Ooh you're alright
Hanging out and stealing all the limelight
Ooh messing with the beat of my heart yeah!
Ooh you used to be a mean kid
Ooh making such a deal of life
Ooh you were wishing and hoping and waiting
To really hit the big time
But did it happen? happen no!
You're speeding to fast slow down
Slow down you'd better slow down slow down
You really know how to set the mood
And you really get inside the groove
Cool cat tapping on the toe with a new hat
Ooh just cruising
Driving along like the swing king
Feeling the beat of my heart
Feeling the beat of my heart yeah!
Feeling the beat of my heart
Can you feel it?
Feeling the beat of my heart
Feeling the beat of my heart
Ooh feeling feeling feeling
Feeling ev'ry feeling
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Other reviews
By claudio1
"Rather than calling it an unsuccessful album, I prefer to describe it as a necessary transitional album for Queen to achieve complete musical maturity."
"Put Out The Fire is a rock gem, too underrated, in which Brian explicitly opposes the Falkland war."
By London
The four seem lost in a state of acute confusion; alright, Mercury’s voice is still fine, but the others offer little.
Despite having a good producer like the German Mack, the album seems to be put together in a hurry.
By frank1979
A gigantic immense missed opportunity from a group incomparable in its genre.
INDEED I WOULD SAY THEY ARE AT THEIR ABSOLUTE LOWEST!!!