Known simply as "the album that united rock with dance", "Screamadelica" was much, much more.
With this record, Primal Scream completely revolutionized the way rock was made, and ferried this genre of music out of the stupid and obtuse stereotypes of the '80s; stereotypes that had led bands, all alike, to compose albums, all alike.
By recruiting producers and musicians from different musical backgrounds, Primal Scream lost their classic rock band identity for the occasion and transformed into a sort of collective where everyone could bring their experience and have a say.
By giving free rein to everyone's creativity and inspiration, this album was born where rock takes on unusual and inspired forms.
Danceable rock, as it was said in the beginning: "Movin' On Up" - rock/soul with an irresistible groove - "Slip Inside This House" - an acid house cover of a song by the 13th Floor Elevators - "Don't Fight It, Feel It" - techno/house -.
But not only: nocturnal ballads like "Damaged", "I'm Comin' Down" and "Shine Like Stars", demonstrate a band that can masterfully handle pianos, electronic bases, acoustic guitars, oriental melodies, electric solos, percussion, jazz winds. Not to mention the heart of the album, where the remixes of two old tracks by the band are presented: "Loaded", transformed into a fiery funk and "Come Together", a colossal gospel-reggae with an elephant's step.
But the true masterpiece of "Screamadelica" is "Higher Than The Sun". A dreamy, electro/pop presented in a dub key; a track that is then revisited towards the end of the album by Andrew Weatherall and the legendary Jah Wobble, transforming it into "a two-part dub symphony". Visionary and ambient the first part, exotic and sinuous the second.
You may like it or not, but "Screamadelica" cannot be denied the credit of being one of the most creative and inspired albums of recent years and of having given new life to a musical genre long considered doomed.
"The perfect fusion between House and Pop invents a new and brilliant formula that changed the course of the '90s."
"Primal dared such moves with such ease and calmness, proving how far ahead they were compared to stagnant Brit-pop."
It’s infinitely sweet to immerse oneself in a nebulous past, made more of sensations than of memories now erased over time by the distraction of memory.
You will see that one day we will all meet again, it will return, and we will dance and sing and hail some of our sign of belonging and we will be satisfied.
"Screamadelica is precisely that kind of sonic Eden—a box where everything is in its right place with no dead spots or imperfections."
"'Higher Than The Sun' is the true zenith of the rave era, blending pulsing dub bass with ethereal vocals and swaying drum kits."
Screamadelica was the awakening from the sexy and scorching nightmare of Bobby Gillespie, probably the Zenith of a personality certainly chaotic but deeply transformative and transparent.
We wanna be free, we wanna be free to do what we wanna do.