Italian singer-songwriter from Milan, known for simple, often ironic pop/rock songs and for albums with socio-political themes.

Described in reviews as self-producing and self-distributing some albums; repertoire ranges from child-themed hits to explicitly socio-political concept albums; associated with controversy around some Sanremo entries (as discussed in reviews).

DeBaser reviews portray Povia as an Italian singer-songwriter working between pop and rock, often ironic and direct. Reviews highlight both catchy child-themed hits and explicit socio-political albums. Reception is mixed but leans positive for his earnest, DIY approach.

For:Fans of Italian singer-songwriters, listeners interested in socio-political music and indie pop/rock.

 We were all moved by listening to "I bambini fanno ooh," an absolute masterpiece of the last twenty years of Italian music, and the much-criticized song about the pigeon (but it had deep meaning) could be compared to the style of early De Gregori (the one of "Buffalo Bill," to be clear).

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 This album, like its predecessor, has also been described as "sovereign," meaning it touches on uncomfortable themes and not aligned with the prevailing "politically correct," as well as not aligned with the dominant thinking.

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 And to conclude, what I consider to be Povia's masterpiece. Perhaps the most beautiful song he has ever composed, namely the title track "Checkmate". The concept is simple, comparing life to a game of chess.

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