The album is a benchmark.
Please follow me in a consideration: in TV commercials, songs are chosen to "appropriately accompany" the message they want to convey to the (potential) customer.
For a car, a message of modernity, evolution, and dissociation from the stressful world of traffic and commitments we encounter with our cars is intended... that's why usually the most captivating, modern, creative, and I dare say "original" tunes accompany a car commercial. Have you ever noticed?
Portishead is the only project that managed to impose a 9-year-old track of theirs in a car commercial. (and if the tune convinces someone to spend several million lire to get the car, how can you resist owning the CD?)
P.S. I offer a prize to anyone who can guess the name of the musical genre (it's not among those proposed now, but who knows, maybe they'll add it later). Bye.
[Editor's Note: Did you look carefully among the genres?]
Add in epic and cinematic sounds, and heartrending and melancholic lyrics, and you feel transported into a three-dimensional dimension.
Beth shows all the J.LO or Spears what it means to have a bold voice... that naturally knows how to captivate.
Dummy consecrates itself as one of the best albums I have ever listened to.
Each track offers a different image, together creating a colorful and varied musical vision.
This album engages, which is more difficult: you feel in the middle of the record, as if Beth were singing beside you.
‘Roads’ represents the pinnacle of beauty on the album, a dark ballad that gets under your skin like a needle.
What is this stuff? Hyper-depressed dub? Melancholic white soul?
The voice, that voice, comes from there....