Cover of Pixies Beneath The Eyrie
GrantNicholas

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For fans of pixies,alternative rock lovers,music critics,listeners interested in band reunions,rock music enthusiasts
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THE REVIEW

It is inevitable that with every new Pixies release, ears are well-tuned.

We are talking about a seminal band for alternative rock, which has openly influenced many bands in the genre and still often plays in a different league from the others. "Beneath The Eyrie" is the third album since the reunion that took place fifteen years ago (the seventh overall), and it is absolutely fair to say it's the best of the three.

The previous "Head Carrier" (released in 2016) was a good album, full of great tracks, yet it somewhat lacked cohesion and perhaps suffered from the then-recent addition of former Swan Paz Lechantin on bass (replacing a key member like Kim Deal must not have been easy), even though the lovely Paz handled it more than well.

Now the Pixies give the impression of knowing exactly where to go, and they deliver a compact, inspired, and incredibly cohesive record. Sure, there isn't the immediacy of tracks like "Tenement Song," "All I Think About Now," and "Classic Masher," but the writing flows smoothly and contributes to composing an extremely convincing soundscape.

The lead single "On Graveyard Hill" has all the elements of the classic Pixies Sound, just as "Catfish Kate" may be the only link with the catchier episodes of the previous release. Noteworthy is the beautiful crescendo of the fantastic "Silver Bullet," along with numerous tracks where the interplay between Santiago's guitar and Lechantin's bass makes the difference, navigating among the most disparate fascinations (the Tex-Mex in the sumptuous "Silver Bullet," the Nick Cave of "Bird Of Prey"), only to return to the classic Pixies sound with the new extract "St. Nazaire" and close with the psych of "Daniel Boone" and the very dark "Death Horizon."

It is a joy to hear a band like the Pixies again reaching such high levels. "Beneath The Eyrie" is an excellent record, which definitively cements the newfound cohesion of the American band and reiterates once again that the Pixies are not just their glorious past, but also have a promising and rediscovered future ahead of them.

Best track: Silver Bullet

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Summary by Bot

Beneath The Eyrie marks the Pixies' best album since their reunion, showcasing a clear direction and cohesive sound. The addition of Paz Lechantin has grown on the band, strengthening their performance. The album blends classic Pixies elements with new influences, making it a promising chapter in their discography. Standout tracks include 'Silver Bullet' and 'On Graveyard Hill.'

Tracklist

01   In The Arms Of Mrs. Mark Of Cain (00:00)

02   Graveyard Hill (00:00)

03   Catfish Kate (00:00)

04   This Is My Fate (00:00)

05   Ready For Love (00:00)

06   Silver Bullet (00:00)

07   Bird Of Prey (00:00)

08   Daniel Boone (00:00)

09   Death Horizon (00:00)

10   Long Rider (00:00)

11   Los Surfers Muertos (00:00)

12   St. Nazaire (00:00)

Pixies

American alternative rock band formed in Boston; core early lineup included Black Francis (vocals/guitar), Joey Santiago (guitar), Kim Deal (bass/vocals) and David Lovering (drums). Late-80s/early-90s records (Surfer Rosa, Doolittle, Bossanova, Trompe le Monde) are widely regarded as highly influential. The band broke up in the early 1990s and reunited in 2004, releasing new albums in the 2010s.
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