Piotta
Multi Culti

Uh-oh! We are told that this review also appears (in whole or in part) on 4yougratis.it and radio.rai.it

'Il supercafone eccolo qua Piotta e' il suo nome nun lo scorda' movi la mano de qua e de la fammela vede nun te ferma..' who has forgotten Supercafone?

Piotta returns with an album, the 5th, which slightly departs from the raw rhythms of the beginnings to embrace an enjoyable and highly eclectic project; featuring numerous collaborations, from local ones like Caparezza, Bassi Maestro, and Turi, to international ones such as Doudou Masta, Deca, and Sh-wa.

After three years since the previous album 'Tommaso', a record with an intimate character that received wide acclaim from music critics and showed the more introspective side of the artist, Piotta returns with a new major work.
'Multi Culti' is a captivating and sunny album that blends the typically sarcastic vein that has always characterized Piotta with irreverent analyses of current societal norms. Piotta continues his natural path of growth that has led him to celebrate his tenth year of solo activity.

'Multi Culti' is an album rich in guests and content, a mix of languages, styles, religions, and cultures, the result of the numerous and intensive travels that Piotta has undertaken over the past two years, from Paris to Japan, passing through Sarajevo, Berlin, and the inevitable New York City. The album includes collaborations with German, French, Senegalese, American artists, as well as local rappers Caparezza, Turi, and Bassi Maestro.

The first single is titled Troppo Avanti, an energetic and ironic track that mixes hip hop with the right dose of sarcasm that has always distinguished the two artists. The collaboration is enhanced by a spectacular and highly entertaining video featuring a cameo by the eclectic Trio Medusa. Other notable tracks include Giovani d'Oggi, Pazzo di Te (where Tommaso plays, starting with himself, with the recent dissing trend) or the controversial and irreverent Senti che Pezza. Naturally, there are also meaningful moments (the touching La Rue) and intimate ones, always another classic of the author. L'incontro/La Rencontre with the feat of Doudou Masta (a famous transalpine rapper). The topics covered are therefore varied, from the analysis of our society to customs events, from current affairs to the struggling economy passing through more or less grotesque sentimental and daily issues (Hey feat Mariangela).

Fifteen new tracks produced by Piotta in collaboration with the Romans Goodphellas, which unite funky with modern club sounds. Electronic, hip hop, vintage instruments, and the typical and unique taste for sampling that have now made Piotta's sound indelible in the ears of an ever-expanding audience.