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❝ "Masterpiece of Italian comedy from 1961, it forms a Sicilian diptych with Sedotta e abbandonata (1963), which is later joined by Signore e signori (1965) in a triptych dedicated to the bourgeoisie."
❝ “Yet, few other directors in Italy could have, like Germi, maintained such a high level of tension and interest in the viewer for over two hours of baroque, overabundant, and deliberately unpleasant filmmaking; made psychologically credible characters that appear caricatured and one-dimensional; and conveyed their message with such clear precision nonetheless.”
❝ "This film is Germi's consecration, offering us a splendid/despicable panorama of an Italy that talks behind its back and only looks at appearances."
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