American guitarist noted for his 1966 debut Rainy Day Raga and a syncretic style that fuses flamenco, Indian raga, Arabic scales and American folk. Associated with beatnik culture and later linked to the revival of American Primitivism; withdrew from public life in the 1970s and was later rediscovered by younger musicians.

From a musical family in the Boston area; studied classical guitar, flamenco in Spain, toured North Africa, influenced by Ravi Shankar and Indian ragas; friend of Sandy Bull; 1966 debut Rainy Day Raga; retired from public life in the 1970s but continued studying the instrument.

Peter Walker is presented as a 1960s beatnik guitarist whose 1966 debut Rainy Day Raga fuses flamenco, Indian raga, Arabic scales and American folk. The review highlights his syncretic approach and emotional playing. He withdrew from public life in the 1970s and was later rediscovered by younger musicians.

For:Fans of fingerstyle guitar, American Primitivism, 1960s folk and raga-influenced music.

 Walker did not follow the American finger-picking artists, who were committed to technically developing the right hand, navigating between arpeggios and bass lines; nor did he follow their British counterparts, who were instead committed to traveling as fast as possible along the guitar’s fretboard with their left hand. No hand was dominant for Walker; the heart was in command

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