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Walker did not follow the American finger-picking artists, who were committed to technically developing the right hand, navigating between arpeggios and bass lines; nor did he follow their British counterparts, who were instead committed to traveling as fast as possible along the guitar’s fretboard with their left hand. No hand was dominant for Walker; the heart was in command Discover the review
Walker did not follow the American finger-picking artists, who were committed to technically developing the right hand, navigating between arpeggios and bass lines; nor did he follow their British counterparts, who were instead committed to traveling as fast as possible along the guitar’s fretboard with their left hand. No hand was dominant for Walker; the heart was in command
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