Pendulum
Immersion

THE REVIEW

I have never been particularly interested in delving into certain sound inclinations that fall under the letter d in the Italian dictionary, whether it be dubstep, dance, or drum'n'bass, yet with the latest Pendulum release, the relationship has been different.

"Immersion" is the third and last album, since the band has split up, with two of the main members Rob Swire (vocals, keyboard, production) and Gareth McGrillen (bass, backing vocals, DJ) having started a new project with Knife Party, moving away somewhat from the previous band's sound towards a sound closer to dubstep and house and leaving me, from what little I know, quite cold.

The strength of this album and perhaps what made me particularly appreciate it is the blend of electronic pads and drum 'n' bass influences with rock rhythms. Pendulum, in this album, are more than just summer club DJs; they have transformed into a full-fledged band.

The group gathers widespread acclaim across the board, as evidenced by the various illustrious collaborations gracing the title track: Liam Howlett of the Prodigy ("Immunize"), In Flames ("Self vs. Self"), and Steven Wilson of Porcupine Tree ("The Fountain").

An album at least as diverse as the guests' resumes: from the canonical "Salt in Wounds" to pleasant, more easy-listening tracks like "Witchcraft" and the fresh and summery "Watercolour" where electronic beats, keyboards, and guitars coexist.

However, among the most successful moments are "Crush" with its irresistible refrain and the extreme and heavy experimentalism of "Self vs. Self" as well as the sublime "The Fountain," where Wilson's contribution is perhaps decisive.

The testament of Pendulum? Let’s hope not.