Pearl Jam: a band I've never been able to love viscerally, indeed, let's say that everything they've done from Binaural onwards leaves me completely indifferent, yet back in the distant 1994, they brought to life a true masterpiece, an intense, visceral, and genuinely grunge album that I adored and listened to until I was sick of it. This masterpiece is presented under the unattractive dark cover in encyclopedia style, including a massive booklet full of allegorical images and excerpts from a pseudo-scientific book aptly named Vitalogy.
The album opens with "Last Exit", dominated by Dave Abruzzese's obsessive drumming: Eddie Vedder's voice has never been as abrasive and intense, especially in the chorus: a short, dark, and lightning-fast song that captures the listener's attention right from the start. "Spin The Black Circle" is a neurotic hard rock in a more purely Pearl Jam style (it closely resembles tracks like "Go" and "Brain Of J"). Convulsive riff and pounding drums, with Vedder's bluesman voice performing incredible acrobatics to adapt to this type of song. The level rises further with "Not For You" where in the first verse "Restless Soul, Enjoy Your Youth" many have read a reference to Kurt Cobain: in fact, the song is very Nirvana-like in style: almost mumbled and lilting verses and screamed chorus, it would have fit well in In Utero. Great solo and the overall pathos created by Gossard and McCready's guitars. "Tremor Christ" is little known, yet I consider it one of the best (if not the best) songs ever composed by PJ: great attack of distorted guitars and an excellent performance by Vedder, who perfectly interprets this dark and disturbing chant, which ends with a masterful increase in pathos in the finale that fades into a whisper. More unique than rare in the entire history of the band. "Nothingman" is a very sweet and melancholic acoustic ballad, great intensity in the singing, that captivates immediately. With "Whipping" we return to the healthy hard rock of "Spin The Black Circle", a short but very intense and seismic song, especially in the riff. "Pry, to" is a curious interlude in which Vedder hums the word pryvacy giving the listener the impression of eavesdropping through the keyhole. Genius also because it creates a muffled atmosphere where the explosive riff of "Corduroy" erupts with all its intensity, a powerful stadium anthem against the manipulations of the music industry. "Bugs" is a delirious spoken nursery rhyme that tells of these insects, unknown and oppressive presences with which our Vedder doesn't know how to deal. The allegorical meaning is evident. "Satan's Bed" is another very catchy hard rock, with lyrics that are particularly unexpected from Pearl Jam ("skinny little bitch, I never suck Satan's/Santa's dick..."). The atmosphere softens with the beautiful ballad "Better Man" one of the first songs written by Eddie Vedder when he was still with Bad Radio, talks about his difficult relationship with his mother and stepfather. "Aye Davanita" is a whimsical nonsense nursery rhyme, vaguely tribal in mood and rhythm, serving as the forerunner to the album's last ballad, the melancholic, powerful, and pessimistic "Immortality" where Vedder's voice reaches incredible peaks of expressiveness and interpretative pathos. The only off-key note from the album is the concluding "Stupid Mop" a long and boring experiment with no greater purpose, for the rest an incredible and fascinating album, comparable in intensity to In Utero by Nirvana or Down On The Upside by Soundgarden.
If one had to choose a single album that best represents Pearl Jam, Vitalogy would probably be the best choice.
This album marks the definitive maturity of the jammers, the loss of innocence of a band that continues to represent one of the best examples of that catalyst of passions and emotions called rock.
"Vitalogy is a dark album, often melancholic and sad, capable of moving, as well as exalting, making us think as well as transmitting anger."
"It may not have the naive spontaneity of the debut, but it is certainly their most curated, intimate production and, simply, the one with the best songs."
I hate Pearl Jam and I could walk around with t-shirts bearing offensive slogans against them.
Vitalogy is NOT a sublime record nor an extremely brilliant work but, certainly, it’s a curious and somewhat unusual product.
Vitalogy, of the first three albums, is the most grunge-sounding, undoubtedly the least commercial and by far the most abstract.
Ultimately, Vitalogy can be considered as an atypical album in the repertoire of Vedder & Co and perhaps not the best to approach their music, but it undoubtedly remains a surprising, intriguing, and seductive album.