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American Gigolo, although seen today is so tied, indeed, to an aesthetic deeply rooted in the atmosphere of a specific historical period, even now, almost forty years later, has lost none of its superb charm and stylistic elegance. Discover the review
American Gigolo, although seen today is so tied, indeed, to an aesthetic deeply rooted in the atmosphere of a specific historical period, even now, almost forty years later, has lost none of its superb charm and stylistic elegance.
It’s the beauty that hurts you most. Discover the review
It’s the beauty that hurts you most.
Less violent than Taxi Driver (1976), less sophisticated than American Gigolo (1980), Light Sleeper (1992) by Paul Schrader ideally completes a trilogy on metropolitan male neurosis. Discover the review
Less violent than Taxi Driver (1976), less sophisticated than American Gigolo (1980), Light Sleeper (1992) by Paul Schrader ideally completes a trilogy on metropolitan male neurosis.
With $150,000 raised through crowdfunding, bringing to the stage the death of cinema, in the form of a noir written by former prodigy Bret Easton Ellis; starring the most controversial gossip actress and the most famous American porn star in circulation; taking the film to Venice and being (almost) unanimously panned. Unjustly. Discover the review
With $150,000 raised through crowdfunding, bringing to the stage the death of cinema, in the form of a noir written by former prodigy Bret Easton Ellis; starring the most controversial gossip actress and the most famous American porn star in circulation; taking the film to Venice and being (almost) unanimously panned. Unjustly.
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