American avant‑garde jazz vocalist who emerged in the 1960s. After moving from Iowa to San Francisco she became associated with the New York scene and recorded for ESP‑Disk (notably Sings, 1965). Albert Ayler recommended her and College Tour documents early ESP‑Disk era performances. She stepped away from recording to raise a son and later returned for recordings and concerts (Love Songs, You Thrill Me, live releases in the 2000s).

Associated with ESP‑Disk; strongly influenced later experimental vocalists and has been cited in relation to artists such as Diamanda Galás, Yoko Ono and Patti Smith.

Two DeBaser reviews celebrate Patty Waters' radical vocal experimentation on Sings and College Tour. Reviewers link her to ESP‑Disk, Billie Holiday's influence, and later avant‑garde vocalists. The coverage frames her work as nocturnal, extreme, and highly influential within experimental jazz.

For:Fans of avant‑garde jazz, listeners of experimental vocals, music scholars and curious listeners

 Like the painful whisper of Billie Holiday and the demonic scream of Diamanda Galás hybridized in the slight body of a white country girl raised on Sunday sermons and pumpkin pies.

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 This album is like the night, dark and desolate, companion of our loneliness, and Patty Waters remains one of the great jazz vocalists, whose experimental importance goes beyond, not coincidentally artists like Diamanda Galas, Patti Smith, Yoko Ono, point to her as a reference and inspiration.

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