American film director best known for directing Monster (2003) and the DC films Wonder Woman (2017) and Wonder Woman 1984 (2020).

Directed Monster (2003), which earned wide critical attention, and later directed the blockbuster DC films Wonder Woman (2017) and Wonder Woman 1984 (2020).

DeBaser reviews of Patty Jenkins focus on her DC films Wonder Woman (2017) and Wonder Woman 1984 (2020). Critics praise certain set pieces and performances (notably Pedro Pascal in WW1984) but repeatedly argue the films fail as feminist statements and suffer from aesthetic and narrative issues. Overall reception in these reviews is mixed-to-negative.

For:Readers interested in film criticism, superhero cinema, and gender politics in film.

 If we really want to split hairs, it's necessary to start by saying that Wonder Woman is not a feminist film, or rather, it is in its most overt and banal aspects, I dare say, but in its cinematic grammar, it is the opposite.

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 The critics did not appreciate this second chapter signed by Patty Jenkins that much; it lacks that veil of muscular feminism that caressed the first chapter.

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