Cover of Parliament Funkentelechy vs. The Placebo Syndrome
Karimbambeta

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For fans of parliament, lovers of funk music, and listeners interested in 1970s musical innovation
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THE REVIEW

And you think of the rhythm, the scratching and hypnotic riffs repeated endlessly, the groove that sucks the energy and adrenaline out of you until you're left defenseless and disarmed. You think once again of Africa and tribal dances, of the bamboula and the drums, but the truth is that you don't think of anything at all.

It could be the result of so much history, so many cries, so much sweat. But we will never know, or at least, we will never want to know. Enough with ruminations, with reflections, with references to the past and plans for the future. Funk sweeps away every thought. It is an impulse that pulls that violent and ecstatic jolt from your nerves. No one is saved, and those who manage have something wrong or twisted inside.

You feel excessively "inside," as if you were producing those vibrations yourself, at that instant. A paradise of groove and positive vibrations empathetically produced by the disarmed and ecstatic crowd that unanimously finds itself in the rich and explosive choruses. Like those of "Bop Gun (Endangered Species)", or the even theatrical voices of "Sir Nose D'Voidoffunk (Pay Attention-B3M)". You feel constantly led hand-in-hand by the bass, Mr. Bass, the prevailing deity of the new world produced by these bizarre individuals in masks and red suits.

Yes, paraphrasing a written past "there is no more talk of song-form". And it's true. It's the new dimension of music and the blood running through you that manages to boil and compress, and you think of nothing anymore. Even when you encounter the ternary ballad "Wizard of Finance", and you are grateful for those 4-5 minutes of breath, where you feel nothing else but that "one" certain and profound that hits you like a welcomed and virulent punch from the Olympus of the new Gods which is nothing but the "rhythm section".

But can we still talk about "rhythm section" with "Funkentelechy"? No. You cannot reduce to two obsolete and faded words what happens in this piece: you feel the vibrations reaching inside and taking over you like those red waves on the cover spreading autonomously through space. You are grateful for this dictatorship, you are grateful for such gentle violence, perhaps because you too have become one of them, you made it. A sort of "placebo effect," or "Placebo Syndrome".

And after diving into these mystical waves it's time to dance a little more, put on "Flash Light" and enjoy the triumphant close.

What a journey, folks.

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Summary by Bot

This review celebrates Parliament’s Funkentelechy vs. The Placebo Syndrome as an immersive funk experience that transcends conventional song structure. It highlights the hypnotic rhythms, powerful bass, and ecstatic grooves that draw listeners into a tribal, euphoric atmosphere. Tracks like "Bop Gun" and "Flash Light" exemplify the album’s vibrant energy and musical innovation. Overall, the album is portrayed as a joyous and transformative journey through funk.

Tracklist Lyrics Videos

01   Bop Gun (Endangered Species) (08:35)

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02   Sir Nose D'Voidoffunk (Pay Attention-B3M) (10:10)

03   Wizard of Finance (04:24)

04   Funkentelechy (10:59)

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05   Placebo Syndrome (04:23)

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Parliament

Parliament is an American funk band led by George Clinton, a core pillar of the Parliament‑Funkadelic collective. Known for elaborate stage shows and a densely layered P‑Funk sound, the group’s 1970s run yielded landmark albums like Mothership Connection and Funkentelechy vs. the Placebo Syndrome, featuring key contributors such as Bernie Worrell and Bootsy Collins.
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