Cover of Papa M Live From A Shark Cage
byk661

• Rating:

For fans of post-rock, indie instrumental music lovers, followers of slint, tortoise, and papa m
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LA RECENSIONE

You were in Slint (who?).
Then in Tortoise (cool!).
M, Aerial M, Papa M.... The last one is good. Until when?

You play what you know. Namely indie-post-rock-instrumental-semi-lo-fi.
One note at a time (Arundel), gentle guitars with feedback breezes (Pink Holler), airy melodies (Up North Kids), loops & interweavings that nail you down for a quarter of an hour (I Am Not Lonely With Cricket - even though it seems so to me).

Billy Corgan calls you to play in Zwan.
You make an album, a tour.
You get tired, you leave and take the bassist with you.

Too cool.

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Summary by Bot

This review praises Papa M’s album ‘Live From A Shark Cage’ for its refined indie post-rock style featuring delicate guitars, ethereal melodies, and intricate loops. It briefly touches on the artist’s notable past associations with Slint, Tortoise, and Zwan. The reviewer appreciates the consistency and quality of the work, highlighting its calming yet engaging musical textures.

Tracklist Videos

01   Arundel (01:04)

02   Roadrunner (05:06)

03   Pink Holler (04:58)

04   Plastic Energy Man (05:33)

05   Drunken Spree (09:02)

06   Bups (01:08)

07   Crowd of One (03:32)

08   I Am Not Lonely With Cricket (14:51)

09   Knocking the Casket (03:28)

10   Up North Kids (05:11)

11   Arundel (04:36)

Papa M

Papa M is the solo moniker of American guitarist David Pajo. Known for foundational work with Slint and collaborations involving Tortoise, Stereolab, Zwan, and Bonnie “Prince” Billy, Pajo’s Papa M spans instrumental post-rock, hushed folk, and experimental textures. Key releases include Live From a Shark Cage (1999), Whatever, Mortal (2001), Highway Songs (2016), and A Broke Moon Rises (2018), largely via Drag City.
04 Reviews

Other reviews

By CosmicJocker

 Dave Pajo and his crystalline, fragrant touch.

 A cross between Verlaine and Stendhal that, in this album, places itself between the Red of twilight and the Black of night to paint romances without words.