Elio Germano, armed with a rifle, meets Paolo Ruffini. He doesn't kill him.

This is the main flaw of this historical comedy by Paolo Virzì: "N - io e Napoleone" (N - Napoleon and I).

Elba Island, 1814: Martino Paolucci is a writer with democratic and libertine ideas, thus he is stripped of his position as a teacher. A modern Ortis, he is the lover of a baroness (Monica Bellucci) older than him but beautiful, and he wishes to kill the tyrant Napoleon who is arriving on the island, rather than committing suicide like Jacopo.

Until Napoleon (Daniel Auteuil) actually arrives. The citizens welcome him with great pomp, and Martino is hired as his librarian and personal secretary.

And he is an extremely fascinating character, you can't just hate him.

Will Martino be able to kill the tyrant?

This is the initial situation of a story that Virzì enjoys narrating with the rhythms of a comedy and fills with various caricatures of 19th-century Tuscany: the grumpy spinster sister, her admirer, the maid secretly in love with the protagonist...

This story, told through straightforward and "Tuscan" dialogues, sprinkled with insults and witty remarks, ultimately makes for an intelligent and enjoyable comedy.

Loading comments  slowly