Pagan's Mind
Enigmatic: Calling

LA RECENSIONE

"Enigmatic calling" was released in 2005, when the qualities of the band were already known to many, and this album does nothing but confirm them. So much so that the first track is launched by Loftstad's guitar (also the producer), which, after some exploration, delves into progressions, giving way to Rue, who, as usual, does not attempt to follow Alder or LaBrie, remaining measured. This is a precise choice that highlights the melodic aspect of the slow and cadenced lyrics based on vowels. The decision to restrain the double bass is also commendable, occasionally softening the percussion and allowing the guitar to take the main role.

The second track presents the concept, associated with the image of a future era, achievable through technological innovation that allows humans to travel through time. "Supremacy our kind" recalls both in lyrics and tempo "Princes of the universe" by Queen, while also highlighting, along with the subsequent track, Rue's voice, similar to that of D.C. Cooper but less focused on the lows, perhaps covered by the solid percussion. The album continues to alternate more melodic phases entrusted to the keyboards, which also accompany the instrumental tracks, undertaken by Loftstad who initiates progressive sequences.

The concept remains incomplete until "Taken", which speculates on the beginnings of the human race, galaxies, portals, and therefore must have some meaning, but since there are no lyrics in the album, it's hard to say what Rue is singing about. "Resurrection" still validates the formula, perhaps intended this way to match the guitar evolutions that make endorphins surge in the nervous system. The next song is the only one that forgoes the electric guitar in favor of the acoustic one. The final offer deviates only slightly from what has been seen, tightening the similarity with Dream Theater, also regarding the rhythmic function, in which there is quite a considerable gap; which they might intend to fill, that's for sure.