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Uwe Nolte and Frank Machau, upon reaching their second album, thus package their masterpiece, demonstrating that miracles still happen (it's 2002), even within a stifled genre like apocalyptic folk. Discover the review
Uwe Nolte and Frank Machau, upon reaching their second album, thus package their masterpiece, demonstrating that miracles still happen (it's 2002), even within a stifled genre like apocalyptic folk.
they leave and double down: they leave, abandoning a winning, tested formula, consciously choosing to change their nature, to embrace a more canonically industrial sound, mechanical, painted with heavy gothic tones; they double down, however, in terms of courage, challenging their fans once again, a portion of whom will inevitably be puzzled by the stylistic turn taken by the renowned team of Uwe Nolte/Frank Machau. Discover the review
they leave and double down: they leave, abandoning a winning, tested formula, consciously choosing to change their nature, to embrace a more canonically industrial sound, mechanical, painted with heavy gothic tones; they double down, however, in terms of courage, challenging their fans once again, a portion of whom will inevitably be puzzled by the stylistic turn taken by the renowned team of Uwe Nolte/Frank Machau.
A band, we might add, in search of artistic immortality, translated into a stylistic evolution capable of opening new avenues for experimentation without compromising a well-defined and indissoluble identity, a heritage that would be foolish and harmful to squander. Discover the review
A band, we might add, in search of artistic immortality, translated into a stylistic evolution capable of opening new avenues for experimentation without compromising a well-defined and indissoluble identity, a heritage that would be foolish and harmful to squander.
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