Cover of One Last Wish 1986
Rocky Marciano

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For fans of post-hardcore, lovers of 1980s punk and alternative rock, followers of rites of spring and dischord records, and those interested in underground music history.
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THE REVIEW

Before talking about One Last Wish, we must inevitably discuss Rites Of Spring, a band that had a very brief existence, formed immediately after Rites disbanded in 1986, and dissolved a few months later after performing 6 concerts and recording their only album. As mentioned with Rites Of Spring, three-quarters of the Wish lineup consisted of former Rites members: Guy Picciotto (vocals, guitar), Eddie Janney (vocals, bass), Brendan Canty (drums), and Michael Hampton (guitar, backing vocals). In those winter days of '86, they created one of Washington D.C.'s most beautiful albums, which remained unreleased until 1999 on Dischord records (who else indeed?). Washington D.C., as mentioned, was a truly vibrant and independent musical scene at the time. In 1986, Fugazi was not yet in the conversation, but the time was (almost) ripe. Ian Mackaye, who produced both the Rites and the Wish album, was busy (besides running his Dischord Records) with Embrace, another essential formation of the scene. After the disbandment of the phenomenal Rites, Picciotto was crafting something equally fantastic with these One Last Wish. The comparison with Rites is inevitable, of course, and the sound, in some ways, especially upon first listening, may appear very similar to the previous band. The zeal, that tortured and emotional executive zeal, is present, and in a certain sense, the album shifts the Rites sound towards a more melodic direction, doing so in a sharp, instinctive, minimalist manner. Picciotto's voice (which, in the opinion of the writer, remains one of the best things ever heard by the human ear) is torn, deformed, totally expressionist, driven into the distorted and melodious whirlwinds of the wall of guitars and the derailing rhythmic section. The sounds are muddy and disordered, powerful and vibrant. The band's talent appears in each of these 12 brief tracks, encapsulated in just about 24 minutes, from the extraordinary melodies of "Hide," "Burning In The Undertow," or "Three Unkind Silences," to the fiery "Break To Broken" or the outstanding "Home Is The Place" and "One Last Wish." And then there's "My Better Half," capable, in under 2 minutes, of tearing your guts apart, satisfying your senses, and sending you to heaven simultaneously. An album filled with great emotion, the result of a band comprised of immense talents at a key moment in their musical existence.

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Summary by Bot

One Last Wish's sole 1986 album is a melodic yet raw post-hardcore landmark created by former members of Rites Of Spring. Recorded during a vibrant Washington D.C. scene, it showcases intense emotion, distorted guitars, and memorable melodies. Although similar to Rites Of Spring, the album leans towards a sharper melodic direction. Praised for Guy Picciotto's expressive vocals and the band's tight songwriting, the album remains influential, despite its delayed 1999 release.

Tracklist Videos

01   Hide (02:12)

02   Burning in the Undertow (02:08)

03   Break to Broken (02:01)

04   Friendship Is Far (02:36)

05   My Better Half (01:56)

06   Loss Like a Seed (02:01)

07   Three Unkind Silences (01:39)

08   Shadow (01:50)

09   Sleep of the Stage (01:35)

10   One Last Wish (02:18)

11   This Time (01:58)

12   Home Is the Place (01:37)

One Last Wish

One Last Wish was a Washington D.C. band formed in 1986 by members who had played in Rites Of Spring (Guy Picciotto, Eddie Janney, Brendan Canty and Michael Hampton). They performed a small number of concerts, recorded a single album in 1986, and that album was released by Dischord Records in 1999.
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