French composer, organist, pianist and ornithologist (1908–1992), known for integrating birdsong, advanced rhythmic techniques and deep religious themes into 20th-century music.

Messiaen's work is noted for synaesthetic associations (music and color), use of birdsong, novel rhythmic devices (non-retrogradable rhythms, added values), and religious inspiration. The Quatuor pour la Fin du Temps was composed and premiered during his wartime internment (Stalag VIII-A, premiere January 1941). Turangalîlà-Symphonie uses a very large orchestra, extensive percussion, piano solo and the Ondes Martenot.

Reviews emphasize Messiaen's religious inspiration, use of birdsong and novel rhythmic techniques (non-retrogradable rhythms, added values). The Quatuor pour la Fin du Temps is presented as a transcendent, sacred quartet composed and premiered during WWII (Stalag VIII-A, 1941). Turangalîla-Symphonie is described as a vast, exuberant symphony featuring large orchestra, prominent percussion, piano solo and the Ondes Martenot.

For:Listeners of modern classical music, students and researchers of 20th-century composition, fans of sacred and experimental music.

 Do not be afraid. The End of Times as conceived by Messiaen is not frightening at all.

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 Thus, venturing through these notes means encountering harsh and shrill melodies, themes that are sometimes bold, sometimes threatening, with an orchestral color rendered exotic by the dry timbres of the percussions, the nervous frolicking of the piano, leading to the lunar sounds of the Ondes Martenot.

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 Olivier Messiaen was a personality devoted to mystical research, seeking throughout his life the religious meaning of existence, which he achieved through a universe of symbols.

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