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❝ Oliver Stone is a pain-in-the-ass director because he's always chasing sensationalism in his films as he realizes the fickleness of the masses and how they're in the hands of the media.
❝ Wall Street is a cinematic work that's as relevant as few others: it's evident by the fact that a sequel is in production.
❝ A bold filmmaker in his ways, in his thinking, and in the substance of his art, who escapes any categorization and is immune to both standards and fashions, who is at the same time both author and historian (also confirming the role of cinema as a valid and effective divulgative source, alongside literature) has succeeded in the daunting task of narrating a difficult character, in public and in private, using the "medium" in every form: archival images and footage, flashbacks, introspective deliriums, dream visions, and abrupt cuts that punctuate a decidedly complex and sophisticated narrative structure.
❝ In the end, it turned out to be the most beautiful satirical film on violence in contemporary America.
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