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John Dwyer's band made a smart choice last year, which was to inoculate their garage with the kraut vibrio, broadening its horizons and mixing it, sometimes even roughly, with analog electronics and less aligned psychedelia, releasing two albums ("Weird Exits" and "Odd Entrances") that are among their best releases ever. Discover the review
John Dwyer's band made a smart choice last year, which was to inoculate their garage with the kraut vibrio, broadening its horizons and mixing it, sometimes even roughly, with analog electronics and less aligned psychedelia, releasing two albums ("Weird Exits" and "Odd Entrances") that are among their best releases ever.
With the reorganization of the lineup from 2015 onwards, the all-out, somewhat noise, somewhat psychotic assault that characterized the band until "Drop" has given way to a less harsh and more psychedelic sound, and at the same time, the very structure of the songs has started to dissolve, taking directions once unthinkable. Discover the review
With the reorganization of the lineup from 2015 onwards, the all-out, somewhat noise, somewhat psychotic assault that characterized the band until "Drop" has given way to a less harsh and more psychedelic sound, and at the same time, the very structure of the songs has started to dissolve, taking directions once unthinkable.
At first, it seems like just garage-pop, but soon you’re swept into a boiling magma of acid guitars, almost hard-rock accelerations, and psychedelic frenzies from which you can’t escape unscathed. Discover the review
At first, it seems like just garage-pop, but soon you’re swept into a boiling magma of acid guitars, almost hard-rock accelerations, and psychedelic frenzies from which you can’t escape unscathed.
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