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❝ Nothing new under the runes. Or perhaps yes?
❝ “Lucifer” is the weak link of the trilogy, a set that in the two previous works had managed to captivate, despite the proposal of good Kim Larsen (the man behind the project) not being the most original.
❝ Kim Larsen is a damn mediocre, there's no doubt about it, but he remains an artist deserving of some attention from anyone who considers themselves a true enthusiast of the genre, if only for this good debut work, dated 1999.
❝ Of course,:Emptiness:Emptiness:Emptiness: can easily rhyme with :Boredom:Boredom:Boredom:, and for this to transform into :Emotions:Emotions:Emotions:, one needs to be a die-hard fan of the genre.
❝ And so it turns out that Kim Larsen, without excessively denaturing his sound, delivers his most melodic, varied, and flowing album ever, where the vague echo of bands and songwriters from the sixties (and beyond) mitigates an artistic vision that sees music as a means to convey intimacy and nostalgia for an extinct, magical, and mysterious world, which stands as an antithesis to contemporaneity and at the same time as a socio-existential critique of its emptiness.
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