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The Lone Descent is a hyper-produced album, a path that unfolds over eleven passionate confessions, eleven splendid ballads often quite long (reaching peaks of eight minutes!), where misanthropy and psychedelia go hand in hand, and a well-populated group of musicians (I mention only percussionist John Murphy, known for his various collaborations, most notably with Death in June and Current 93) is called upon to give depth to the otherwise sparse compositions of the most typical poetics of the project, always oriented towards producing intimate and pathos-filled atmospheres. Discover the review
The Lone Descent is a hyper-produced album, a path that unfolds over eleven passionate confessions, eleven splendid ballads often quite long (reaching peaks of eight minutes!), where misanthropy and psychedelia go hand in hand, and a well-populated group of musicians (I mention only percussionist John Murphy, known for his various collaborations, most notably with Death in June and Current 93) is called upon to give depth to the otherwise sparse compositions of the most typical poetics of the project, always oriented towards producing intimate and pathos-filled atmospheres.
Kim Larsen is a damn mediocre, there's no doubt about it, but he remains an artist deserving of some attention from anyone who considers themselves a true enthusiast of the genre, if only for this good debut work, dated 1999. Discover the review
Kim Larsen is a damn mediocre, there's no doubt about it, but he remains an artist deserving of some attention from anyone who considers themselves a true enthusiast of the genre, if only for this good debut work, dated 1999.
":Emptiness:Emptiness:Emptiness:", proudly "produced, composed, and played under the influence of alcohol and misanthropy", is nonetheless no less intriguing than its predecessor, and, for better or worse, represents what we can expect from the young Danish artist. Discover the review
":Emptiness:Emptiness:Emptiness:", proudly "produced, composed, and played under the influence of alcohol and misanthropy", is nonetheless no less intriguing than its predecessor, and, for better or worse, represents what we can expect from the young Danish artist.
"Lucifer" is the weak link of the trilogy, a set that in the two previous works had managed to captivate, despite the proposal of good Kim Larsen (the man behind the project) not being the most original. Discover the review
"Lucifer" is the weak link of the trilogy, a set that in the two previous works had managed to captivate, despite the proposal of good Kim Larsen (the man behind the project) not being the most original.
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