Thai film director known for Nang Nak; associated with a late-1990s resurgence in Thai cinema and for blending folklore, horror and melodrama with attentive sound and image design.

Directed Nang Nak (1999). Also known for Jan Dara and for contributing the segment "The Wheel" to the anthology Three. Critics praise his use of silence, soundscapes and cinematography while noting his range across crime, erotic melodrama and horror.

Reviews highlight Nonzee Nimibutr's elegant mixing of folklore, horror and melodrama, praising Nang Nak's use of silence, sound and cinematography. Critics call Nang Nak a jewel and note the director's versatility across genres. Some contributions (e.g. The Wheel) are criticized, but overall the reception is appreciative.

For:Art-house and international horror film fans; students and followers of Thai cinema.

 "Husband and wife played with a red thread, the thread of love. They began to twist it around their fingers, around hands, feet And when their bodies were covered by the red thread, they discovered it was too late And that their destiny was bound by the continuous oscillation of life and death".

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