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Nico was a tainted spirit, a hell of a character (to be polite), a ball and chain for those who frequented and endured her in her final years, and at the same time a very fragile creature and an alien, authentic, and unheard composer, despite all the expressive limitations she imposed on herself, from the harmonium to the funereal frame of the songs. Discover the review
Nico was a tainted spirit, a hell of a character (to be polite), a ball and chain for those who frequented and endured her in her final years, and at the same time a very fragile creature and an alien, authentic, and unheard composer, despite all the expressive limitations she imposed on herself, from the harmonium to the funereal frame of the songs.
The End, from '74, concludes the ideal trilogy started with 'The Marble Index.' It isn’t Nico’s artistic pinnacle, but it succeeds in the difficult task of delving deeper into the discourse begun with the two illustrious predecessors and, in particular, with the absolute masterpiece 'Desertshore.' Discover the review
The End, from '74, concludes the ideal trilogy started with 'The Marble Index.' It isn’t Nico’s artistic pinnacle, but it succeeds in the difficult task of delving deeper into the discourse begun with the two illustrious predecessors and, in particular, with the absolute masterpiece 'Desertshore.'
A divine and human voice (all too human). Discover the review
A divine and human voice (all too human).
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