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Nanni Moretti constructs the portrait of the ultimate serial killer, the most unsettling ever, and the unease we have is for that sense of proximity we feel for Michele because, as Bianca says, "he is a good man" who, linear in his logic, in his solitary purity transcends the act. The obsession with "everything in place, everything in order" leads to wanting to dust off everyone’s windowsill in search of an impossible empathy that can only disappoint us.
Nanni Moretti constructs the portrait of the ultimate serial killer, the most unsettling ever, and the unease we have is for that sense of proximity we feel for Michele because, as Bianca says, "he is a good man" who, linear in his logic, in his solitary purity transcends the act.
The obsession with "everything in place, everything in order" leads to wanting to dust off everyone’s windowsill in search of an impossible empathy that can only disappoint us.
Dive into the psychological layers of Bianca and experience an unforgettable Italian thriller by Nanni Moretti.
In a world steeped in Reaganite hedonism, in a stripped-down and sleepy Rome, the characters move like automatons! The film is a mirror of humanity's future, and today it is so modern that 40 years seem not to have passed at all.
In a world steeped in Reaganite hedonism, in a stripped-down and sleepy Rome, the characters move like automatons!
The film is a mirror of humanity's future, and today it is so modern that 40 years seem not to have passed at all.
Discover the haunting and surreal world of Bianca—watch the film and dive into Italy's 1980s social labyrinth.
It should be clear that this movie is not a thriller, but rather a hallucinatory fairy tale, in which the ordinary is dismantled by the extraordinary, incredibly plausible. The numerous moments of comedy are perfectly nestled within the folds of the script and don’t stray off course; rather, precisely because of the film’s gloominess, they acquire a surplus of meaning rarely seen.
It should be clear that this movie is not a thriller, but rather a hallucinatory fairy tale, in which the ordinary is dismantled by the extraordinary, incredibly plausible.
The numerous moments of comedy are perfectly nestled within the folds of the script and don’t stray off course; rather, precisely because of the film’s gloominess, they acquire a surplus of meaning rarely seen.
Dive into the surreal world of Bianca and experience one of Nanni Moretti’s most intriguing films today!
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