The My Chemical Romance.
Between 2006 and 2007, whether we liked it or not (mostly not), we kept hearing about the quintet led by Gerard Way constantly; their music was offered to us by thematic music channels and radio in an almost obsessive manner, ending up being hard to digest even for those who didn't exactly dislike My Chem. "They've revitalized the emo phenomenon", "they make the best rock of the last 5 years", "finally a rock band that can inherit the legacy of Queen"... compliments were generously given by all the music magazines. We thus had the definitive confirmation that regardless of real musical capabilities, if the commercial system decides that a band should break through (or sell?), that band breaks through. Returning to our "heroes", the latest album, in chronological order, presents a meticulous production and a sound that oscillates between the reminiscences of the grandiose rock of the '80s and the influences of a pop-punk reminiscent of Green Day (I don't shock anyone by "revealing" that the work has been placed under the aegis of Rob Cavallo, now known a bit by everyone, yes, the one who produced "American Idiot").
Well, let's forget for a moment the My Chemical Romance redundant to excess, exaggerated in the vocalist's singing as in proposing insipidly melodic ballads. "I Brought You My Bullets, You Brought Me Your Love", debut album, probably introduces us to the true My Chemical Romance; and it ultimately proposes the classic talented American boy band that, while not revolutionizing the musical scene it attends, still offers a genuine and spontaneous sound, adrenaline-filled and immediate to listen to. Probably this is the only true album by My Chem that can be defined as emo-core; the guitars scratch, Ray Toro and Frank Iero especially never miss a beat: they always hit the right note and manage to create atmospheres dense with dark flavor. What surprises about this album, in fact, is the group's ability to constantly interpret their music with simplicity and straightforwardness, without exaggerating and launching into daring musical experiments.
Nothing shocking, but definitely a pleasant album that fuels doubts about the band's actual capabilities, both negatively and positively.
The album is quite the opposite: yes, even punk/rock "with a dark twist" can be vital, raw, fun, and above all, genuine.
Being able to dive into a cliché that has yet to come to life is no small feat.
The album isn’t one that is assimilated on the first listen, as the tracks present intricate structures requiring many listens.
A debut album that won’t go down in history, with its flaws but also with its fair spontaneity.