Cover of Múm Sing Along To Songs You Don’t Know
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For fans of múm, lovers of folktronica and indie-pop, and listeners interested in icelandic contemporary music.
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THE REVIEW

"Sing Along To Songs You Don't Know" marks the beginning of a new career for Icelanders Mùm. A new philosophy for this fascinating collective that started fully electronic and has now arrived to let us listen to folktronica music hand in hand with indie-pop, choirs, and orchestral harmonies.

According to several interviews, the album seems to have been written as a response to the economic crisis that upset Icelandic peace. But beware, it's not a rebellion, rather a sort of reflection on the positive aspects that can be drawn from the anxiety our society creates.

Let's get back to talking about actual music. We said that Our artists have changed style, but don't misunderstand, the glitch sounds and various crackles are still there, but in a much more intimate, more shy form. What is new is the use of a multitude of acoustic instruments among which piano, marimba, ukulele, strings. Instruments brought by the artists called to weave the album's path.

The album showcases continual stylistic changes, indeed ranging from sweet country-folk-minimalistic ballads like the opening "If I Were A Fish" to the playful and childlike "Sing Along"; also ventures into fast folk pop tracks like "Prophecies & Reversed Memories" (very Belle and Sebastian), or even almost songwriter-like performances like "A River Don't Stop To Breathe". Still playful sounds occur in "The Smell Of Today Is Sweet Like B Eastmilk", anchored to stretches of moog and violin; very similar in terms of composition is "Hullaballabal£", as well as "kay-rai-ku-ku-ko-kex" (the latter very Stereolab). There's also room for melodies similar to those of the latest Sigur Ròs, just listen to "Show Me". The mind often recalls Sufjan Stevens ("Blow Your Nose"). Invented too are ambient-pop acoustic tracks, as happens in "Last Shapes Of Never" or the modern-classical "Ladies Of The New Century"; with more chorality in the final "Illuminated", which is somewhat reminiscent of Grizzly Bear.

With "Sing Along To Songs You Don't Know", Mùm show they are never short on ideas. Ideas that do nothing but give the band a new image. There will certainly be long-time supporters who won't appreciate it, but there will also be new followers. Like me.

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Summary by Bot

Múm’s 'Sing Along To Songs You Don’t Know' marks a creative shift toward folktronica blended with indie-pop and orchestral sounds. Influenced by Iceland's economic crisis, the album offers an intimate reflection rather than rebellion. It features a broad musical palette from minimalistic ballads to playful folk-pop with acoustic instruments and glitch elements. The record is rich in stylistic variety, evoking comparisons to artists like Belle and Sebastian, Sigur Rós, and Sufjan Stevens. This album redefines Múm’s image while welcoming new listeners.

múm

múm are an Icelandic group associated in reviews with minimalist electronica, folktronica and indie-pop, known for delicate, whispery vocals and a mix of laptops, experimental sounds and acoustic instruments (often including accordion). Reviews mention the twin sisters Gyða and Kristín Anna Valtýsdóttir among the group’s voices, and describe the music as dreamy, fairytale-like and evocative of Icelandic landscapes.
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