Cover of Modest Mouse Strangers To Ourselves
musicanidi

• Rating:

For fans of modest mouse, indie rock enthusiasts, listeners interested in alternative and experimental music, longtime followers of 90s indie bands
 Share

THE REVIEW

I'm suffering.


I'm writing this review kneeling on chickpeas while a painful cilice is mortifying my flesh and spirit. Why suffer? Why harm oneself? Perhaps because I never wanted to speak ill of the Issaquah group. Never did I think that their independent and alternative nature could be diluted by the softness and commercial relaxations of high rankings (so to speak, of course). Let's be clear, the new work "Strangers To Ourselves" (2015) is not a bad album (see, even now I can't bring myself to speak ill of it), perhaps too long and dispersive; a better selection would have benefited the final result. But then what's wrong?

After a good eight years, the modest mouse returns to the world stage after the modest "We Were Dead Before the Ship Even Sank," where the presence of the legendary Johnny Marr guaranteed better sales and a clear pop turning point (just to stay within the nautical concept of the album) in sound and arrangements. "Strangers To Ourselves" seems to maintain the same wavelength, (almost) light music for easy listening. The aggressive roughness is completely gone from the guitars, those continuous "slams" that made me fall in love with them (the first three albums being a testament). Isaac Brock's vocal ramblings are at times a parody of himself, more manner than substance.

There remain many nice little disconnected songs from each other that recall the past glories, some small consolations for the long-time "hardcore" fans. The indie-rock bursts of the late '90s seem sublimated into an intangible gaseous compound, just barely breathable by the lungs, unaccustomed to high altitudes, of the last-minute fans. You will find their classic ballads (Of Course We Know), historical rides (Lampshades On Fire), more intimate songs (Coyotes), and others completely bad and off-key (Pistol).

Tired of my complaints? I believe it, forgive me. Does it sound like the outburst of a betrayed lover? Perhaps yes, but try to understand me and even console me. For such a modest mouse, musicanidi really doesn't know what to do with it.

Loading comments  slowly

Summary by Bot

The review discusses Modest Mouse's 2015 album Strangers To Ourselves as a return after eight years that is not bad but feels diluted. The album is longer and more relaxed, losing the aggressive edge of earlier works. While some songs evoke past glories and charm longtime fans, others feel disconnected or off-key. The reviewer expresses a conflicted, almost betrayed feeling toward the band's shift in sound.

Tracklist

01   Stranger To Ourselves (00:00)

02   Lampshades On Fire (00:00)

03   Shit In Your Cut (00:00)

04   Pistol (A. Cunanan, Miami, FL. 1996) (00:00)

05   Ansel (00:00)

06   The Ground Walks, With Time In A Box (00:00)

07   Coyotes (00:00)

08   God Is An Indian And You're An A**hole (00:00)

09   Wicked Campaign (00:00)

10   Be Brave (00:00)

11   Pups To Dust (00:00)

12   Sugar Boats (00:00)

13   The Tortoise And The Tourist (00:00)

14   The Best Room (00:00)

15   Of Course We Know (00:00)

Modest Mouse

Modest Mouse is an American indie rock band formed in the early 1990s in Issaquah, Washington, led by singer-guitarist Isaac Brock. Early releases on Up Records built a devoted following before the band moved to Epic, gaining mainstream attention with the 2004 single Float On from Good News for People Who Love Bad News. Former Smiths guitarist Johnny Marr joined for the 2007 album We Were Dead Before the Ship Even Sank. The group’s acclaimed 1990s albums include The Lonesome Crowded West and The Moon and Antarctica.
09 Reviews