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On the razor's edge: there's not a second of peace in this album, a massive flow of notes and hallucinatory yet crystal-clear piano playing within the boundaries of "common ears": you don't miss a note of what he "says." Discover the review
On the razor's edge: there's not a second of peace in this album, a massive flow of notes and hallucinatory yet crystal-clear piano playing within the boundaries of "common ears": you don't miss a note of what he "says."
If one can imagine the suggestive, hypothetical fusion (complete with irresistible Caribbean accents) of the piano styles of Keith Jarrett, Chick Corea, and Herbie Hancock, one will have a first, albeit partial, idea of how Michel Camilo's music "sounds." Discover the review
If one can imagine the suggestive, hypothetical fusion (complete with irresistible Caribbean accents) of the piano styles of Keith Jarrett, Chick Corea, and Herbie Hancock, one will have a first, albeit partial, idea of how Michel Camilo's music "sounds."
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