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The real protagonist of the film is the voyeuristic viewer: the horror that appears on screen is nothing but a spectacle created specifically for him. Haneke’s approach to violence is profoundly and ambiguously moral: deaths are always filmed offscreen, restoring all the horror to viewers anesthetized by years of television and cinematic 'pornography.'
The real protagonist of the film is the voyeuristic viewer: the horror that appears on screen is nothing but a spectacle created specifically for him.
Haneke’s approach to violence is profoundly and ambiguously moral: deaths are always filmed offscreen, restoring all the horror to viewers anesthetized by years of television and cinematic 'pornography.'
Watch Funny Games U.S. to experience a chilling, thought-provoking critique of violence and voyeurism in cinema.
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