•
Rating:
THE REVIEW
Farabola, the debut album of the Tuscan trio Metropol Parasol, opens with an energetic I.N.N.O.: a cry of liberation amidst fragments of images from the past. The track represents the band’s most rock aspect, consisting of an atypical lineup for the genre: distorted bass, drums, and vocals. Without the use of guitars, the resulting sound is compact and powerful, and along with singing in Italian, it aligns them with and brings them closer to the emo core scene that has been gaining traction in our country in recent years. The lyrics in Italian often narrate images or personal memories, accompanied by the band's massive sound, as can be heard in the best tracks of the album like Onde or Emilio.
However, on the other hand, Metropol Parasol also demonstrates having a softer sound, made with the aid of synthesizers and electronic beats, a more pop aspect as can be heard in the cover of Garrincha by Karoshi or in Millenovecentonovantasei (Ondina). While they remain more convincing in their rock aspect, these tracks are useful in breaking the rhythm of the album and providing a breath of fresh air to the entirety of the work. Farabola is therefore an excellent calling card for Metropol Parasol which, due to its brevity and conciseness, is a pleasant listen and ensures great prospects for the group's future endeavors.
Loading comments slowly
Summary by Bot
Metropol Parasol’s debut album Farabola presents a powerful and compact sound defined by distorted bass, drums, and vocals without guitars. Singing in Italian, the band aligns with the rising emo core scene in Italy, balancing energetic rock with softer, synth-driven pop tracks. Highlights like I.N.N.O., Onde, and Emilio showcase their strength, while electronic moments bring refreshing variety. The album’s brevity and quality mark a promising start for the trio.
