•
Rating: Five years have passed since the last studio work of the American band (the muddled and approximate "St. Anger"), and the "Four Horsemen" (having recruited former Ozzy Osbourne bassist Robert Trujillo in place of the makeshift Bob Rock) decide to release a new album: "Death Magnetic".
The artwork, all in all quite original, is noteworthy for the return to the old band logo, abandoned since 1991.
The Metallica, who since the "Black Album" have always tried to renew themselves, without ever really succeeding with results worthy of their name, decide here to make a true "return to the past", building a CD that (at least on paper) should refer to the sounds of "...And Justice For All". The result is, however, far from convincing.
The CD opens with a heartbeat followed by an eerie arpeggio, a prelude to the convincing and incisive riff of "That Was Just Your Life", a track that wouldn't be out of place on "...And Justice For All" if it weren't for a certain repetitiveness. The chorus is engaging.
"The End Of The Line" is the first of a series of missteps with which, unfortunately, Metallica's recent production abounds. The continuous rhythmic variations of Lars Ulrich's drums make the piece difficult to digest, not to mention the main riff, as pompous as it is predictable.
In "Broken, Beat & Scarred" Metallica tries to offer something new by producing a dirty and angry piece but, at the same time, mediocre and lacking a tangible melodic line.
Things go a bit better, at least in terms of melodic linearity, with the ballad "The Day That Never Comes", a collage of ideas from other group tracks (notably "Fade To Black") and the lead single of the album. Let's be clear, even here we definitely can't talk about a successful song but, at least, it is pleasant to listen to.
Track no. 5 is "All Nightmare Long", in my opinion, the best piece on the album. A hard track characterized by a chorus as angry as it is catchy, perhaps it represents what one would expect from the Metallica of the 2000s, a group capable of providing quality music while staying within previously mapped sound paths. The only flaw of the song is its length, more than seven minutes is definitely too long.
"Cyanide" is a fairly successful metal ride even if it doesn't shine for originality. It vaguely recalls the atmosphere of "Kill 'Em All".
"The Unforgiven III", the third variation on the theme of the successful song contained in the "Black Album", is characterized by an unnecessary piano introduction and the usual riff of the previous versions. At least the chorus changes, where Hetfield's singing becomes very melodic and interesting. Despite its coarseness (the piano intro above all), it's a good piece.
"The Judas Kiss" waters down some good ideas in eight minutes of duration that seem mere exercises in style by Lars Ulrich, who doesn't keep the same rhythm for more than twenty seconds. The result is a track too fragmented (as well as too long) to hold the listener's interest.
With "Suicide & Redemption", Metallica returns to composing an instrumental track, but never like in the instrumentals do you feel the absence of Cliff Burton, who knew how to give a unique touch of pathos to the group's instrumental tracks (the monumental "Orion", just to name one). Not that this "Suicide & Redemption" is bad, on the contrary, but it remains sterilely suspended. The music alone is not enough to communicate something to the listener, there is a need for support vocals, a need that is never felt in the previous Metallica instrumentals.
The CD closes with "My Apocalypse", a decent track that follows the same line as "All Nightmare Long"; practiced professionalism and nothing more. Kirk Hammett's solo midway through the song is beautiful.
Summing up this "Death Magnetic," it can be said that once again Metallica fails to extricate themselves from the creative torpor in which they have been immersed since 1991, and this "nostalgia," though well received by the public, should not be confused with a return to the genre that made Metallica great, but as yet another attempt to scrape the bottom of a barrel that has already been scraped clean.
Tracklist Lyrics and Videos
01 That Was Just Your Life (05:04)
Like A Siren In My Head That Always
Threatens To Repeat
Like A Blind Man That Is Strapped
Into The Speeding Driver’s Seat
Like A Face
That Learns To Speak
When All It Knew Was How To Bite
Like A Misery That Keeps Me Focused
Though I’ve Gone Astray
Like An Endless Nightmare That
I Must Awaken From Each Day
Like Conviction
A Premonition
Not Worthy Of
So I Deny
I Deny
I Blind My Eyes
And Try To Force It All Into Place
I Stitch Them Up
See Not My Fall From Grace
I Blind My Eyes
I Hide And Feel It Passing Me By
I Open Just In Time To Say Goodbye
Almost Like Your Life
Almost Like Your Endless Fight
Curse The Day Is Long
Realize You Don’t Belong
Disconnect Somehow
Never Stop The Bleeding Now
Almost Like Your Fight
And There It Went
Almost Like Your Life
Like A Wound That Keeps On Bleeding
To Remind Me Not To Think
Like A Raging River Drowning When
I Only Need A Drink
Like A Poison
That I Swallow
But I Want The World To Die
Like A Release From Prison
That I Didn’t Know I Was In
Like A Fight To Live The Past I Prayed
To Leave
From Way Back Then
Like A General
Without A Mission
Until The War Will Start Again
Start Again
I Blind My Eyes
And Try To Force It All Into Place
I Stitch Them Up
See Not My Fall From Grace
I Blind My Eyes
I Hide And Feel It Passing Me By
I Open Just In Time To Say Goodbye
[Solo]
Like A Touch From Hell To Feel How Hot
That It Can Get If You Get Caught
Like A Strike From Heaven Turns That Key
And Brings You Straight Down To Your Knees
Like A Touch From Hell To Feel How Hot
That It Can Get If You Get Caught
Like A Strike From Heaven To Reprieve
That Brings You Straight Down To Your Knees
Almost Like Your Life
Almost Like Your Endless Fight
Curse The Day Is Long
Realize You Don’t Belong
Disconnect Somehow
Never Stop The Bleeding Now
Almost Like Your Fight
And There It Went
Almost Like Your Life
That Was Just Your Life.
03 Broken, Beat & Scarred (04:02)
You rise.
You fall.
You’re down, then you rise again.
What don’t kill you make you more strong.
You rise.
You fall
You're down, then you rise again.
What don’t kill you make you more strong.
Rise, fall, down, rise again
What don’t kill you make you more strong.
Rise, fall, down, rise again
What don’t kill you make you more strong....
Through black days
Through black nights
Through pitch black insides
Breaking your teeth on the hard life comin’.
Show... your... scars.
Cutting your feet on the hard earth runnin’.
Show... your... scars.
Breaking your life, broken, beat and scarred
But we die hard.
The dawn,
The death,
The fight to the final breath.
What don’t kill you make you more strong.
The dawn,
The death,
The fight to the final breath.
What don’t kill you make you more strong.
Dawn, death, fight, final breath.
What don’t kill you make you more strong.
Dawn, death, fight, final breath.
What don’t kill you make you more strong.
They scratch me
They scrape me
They cut and rape me
Breaking your teeth on the hard life comin’.
Show... your... scars.
Cutting your feet on the hard earth runnin’.
Show... your... scars.
Breaking your life, broken, beat and scarred
But we die hard
[Solo]
Breaking your teeth on the hard life comin’.
Show... your... scars.
Cutting your feet on the hard earth runnin’.
Show... your... scars.
Bleeding your soul in a hard luck story.
Show... your... scars.
Spilling your blood in the hot sun’s glory.
Show... your... scars.
Breaking your life, broken, beat and scarred
We die hard.
We die hard.
We die hard.
05 All Nightmare Long (06:00)
Luck. Runs. Out.
Crawl from the wreckage one more time.
Horrific memory twists the mind.
Dark, rutted, cold and hard to turn.
Path of destruction feel it burn.
Still life… incarnation.
Still life… infamy.
Hallucination. Heresy.
Still you run, what’s to come, what’s to be?
Cause we hunt you down without mercy
Hunt you down all nightmare long
Feel us breathe upon your face
Feel us shift, every move we trace
Hunt you down without mercy
Hunt you down all nightmare long
Yeah!
Luck. Runs. Out.
You crawl back in,
But your luck runs out.
Luck. Runs. Out.
The light that is not light is here
To flush you out with your own fear
You hide, you hide but will be found
Release your cript without a sound
Still life… immolation.
Still life… infamy.
Hallucination. Heresy.
Still you run, what’s to come, what’s to be?
Cause we hunt you down without mercy
Hunt you down all nightmare long
Feel us breathe upon your face
Feel us shift, every move we trace
Hunt you down without mercy
Hunt you down all nightmare long
Yeah!
Luck. Runs. Out.
You crawl back in, but your luck runs out.
1, 2, 3, GO!!!
Then you crawl back in,
Into your obsession.
Never to return.
This is your confession.
Hunt you down without mercy
Hunt you down all nightmare long
Feel us breathe upon your face
Feel us shift, every move we trace
Hunt you down without mercy
Hunt you down all nightmare long
Yeah!
Luck. Runs. Out.
You crawl back in, but your luck runs out.
Your luck runs out.
06 Cyanide (03:42)
Sleep and dream of this
Death angel's kiss
Brings final bliss
Come believe me!
Empty they say
Death, won't you let me stay?
Empty they say
Death, hear me call your name?
Oh, call your name!
Suicide, I've already died
You're just the funeral I've been waiting for
Cyanide, living dead inside
Break this empty shell for ever more
Wait, wait patiently
Your death-black wings
Unfolding sleep
Spreading on me
Empty they say
Death, won't you let me stay?
Empty they say
Death, hear me call your name
Oh, call your name!
Suicide, I've already died
You're just the funeral I've been waiting for
Cyanide, living dead inside
Break this empty shell for ever more
Say, is that rain or are they tears?
That stained your concrete face for years
The crying, weeping, shedding strife
Year after year, life after life
A narrow freshly broken ground
A concrete angel laid right down
Upon the grave which swallows fast
It's peace at last
Oh, peace at last
Empty they say
Death, won't you let me stay?
Empty they say
Death, hear me call your name
Oh, call your name
Suicide, I've already died
You're just the funeral I've been waiting for
Cyanide, living dead inside
Break this empty shell for ever more
Forevermore!
Forevermore!
It's just the funeral I've been waiting for!
08 The Judas Kiss (05:39)
When the world has turned its back
When the days have turned pitch black
When the fear abducts your tongue
When the fire's dead and gone
So what now?
Where do I head?
When you think it's all said and done
When you are the ostracized
Selfish ridden dead goodbyes
Twisting of the tourniquet
When the pieces never fit
So what now?
Where do I head?
When you think it's all said and done
Bow down
Sell your soul to me
I will set you free
Pacify your demons
Bow down
Surrender unto me
Submit infectiously
Sanctify your demons
Into abyss
You don't exist
Cannot resist
The Judas Kiss
When the storm has blacked your sky
Intuition crucify
When the ego strips your reign
Assassinate the living flame
So what now?
Where do I head?
When you think it's all said and done
Venom of a life insane
Bites into your fragile vein
Internalize and decimate
Patronize and complicate
So what now?
Where do I head?
When you think it's all said and done
Bow down
Sell your soul to me
I will set you free
Pacify your demons
Bow down
Surrender unto me
Submit infectiously
Sanctify your demons
Into abyss
You don't exist
Cannot resist
The Judas Kiss
Judas lives, recite this vow
I've become your new God now
Followed you from dawn of time
Whispered thoughts into your mind
Watched your towers hit the ground
Lured your children never found
Helped your kings abuse their crown
In the heart of feeble man
Plant the seed of my own plan
The strong and powerful will fall
Find a piece of me in all.....
Inside you all,
So, bow down
Sell your soul to me
I will set you free
Pacify your demons
Bow down
Surrender unto me
Submit infectiously
Sanctify your demons
Into abyss
You don't exist
Cannot resist
The Judas Kiss
10 My Apocalypse (04:09)
Claustrophobic
Crawl out of this skin
Heart explosive
Reach in, pull that pin
Fear thy name: extermination
Desecrating hail of fire
So we cross that line
Into the grips
Total eclipse
Suffer unto my apocalypse
Deadly vision
Prophecy reveal
Death magnetic
Pulling closer still
Fear thy name: annihilation
Desolating hail of fire
So we cross that line
Into the grips
Total eclipse
Suffer unto my apocalypse
My apocalypse
Go
Crushing metal, ripping skin.
Tossing body, mannequin.
Spilling blood, bleeding gas.
Mangled flesh, snapping spine.
Dripping bloody valentine.
Shatter face, spitting glass.
Split apart
Split apart
Split apart
Spit
Spit it out.
What makes me drift a little bit closer?
Dead man takes the steering wheel.
What makes me know it’s time to cross over?
Born to repeat until I feel.
See through the skin, bones they all rattle.
Future and past, they disagree.
Flesh falls away, bones they all shatter.
I start to see the end. In. Me.
See the end in me.
Claustrophobic
Crawl out of this skin
Heart explosive
Reach in, pull that pin
Violate, annihilate
All wounds unto my eyes
Obliterate, exterminate
As life itself denied
Fear thy name as hell awakens
Destiny inhale the fire
But we’ve crossed that line
Into the grips
Total eclipse
Suffer unto my apocalypse
Tyrant awaken my apocalypse.
Demon awaken my apocalypse.
Heaven awaken my apocalypse.
Suffer forever my apocalypse.
Loading comments slowly
Other reviews
By farmit
"Death Magnetic would undoubtedly win the Grammy for the most talked-about album ever."
"Welcome back, Metallica!"
By Anatas
"They should have titled the album 'Jamescantameglio' instead of 'Death Magnetic.'"
"'The Unforgiven III' sounds really bad, it's ugly, pathetic, pitiful."
By Psycroptic
With this album, the rediscovered Four Horsemen ride high again on the treacherous paths of Thrash Metal.
Death Magnetic is better than the infamous Black Album, which I never considered more than a good album.
By progandrea
"Death Magnetic shows that a new golden age for Metallica is impossible."
"All nightmare long' is the song that shows how Metallica, especially Hetfield, can still give a lot."
By Descanting
"Robert Trujillo represents one of the two main strengths of the work; incidentally, the other is the rhythm guitar."
"If the entire CD had been at the level of 'The Judas' Kiss,' one might have even been moved by such well-crafted metal in these dark years for the genre."
