You are not logged in
Musical Group
It will be (surely) due to my obsolete/greasy mono-neuronal structure that does not allow me to appreciate the evidently substantial liaison between the clouded Visconti cinematic apparatus (Luchino, of course) staged in "Lo Straniero" (1967) [Anna Karina (Marie), Georges Geret (Raimond), and our own Mastroianni (Mersault, indeed)] with such red-cross [the dense Zurich coniferous forms Their upright habitat] as abominable, indigestible, putrescent, shapeless sound triad*; an unhealthy and not better-identified sound-marshland: the ancestral pantallassa flows copiously and (im)materially, murkily inexorable from the depleted speaker cones. Discover the review
It will be (surely) due to my obsolete/greasy mono-neuronal structure that does not allow me to appreciate the evidently substantial liaison between the clouded Visconti cinematic apparatus (Luchino, of course) staged in "Lo Straniero" (1967) [Anna Karina (Marie), Georges Geret (Raimond), and our own Mastroianni (Mersault, indeed)] with such red-cross [the dense Zurich coniferous forms Their upright habitat] as abominable, indigestible, putrescent, shapeless sound triad*; an unhealthy and not better-identified sound-marshland: the ancestral pantallassa flows copiously and (im)materially, murkily inexorable from the depleted speaker cones.
This artist has no image.Please send one!
Oh no! This artist is not in any charts. Why don't you add them yourself using the button below
Drag here or click to upload a photo.
Drag here or click to upload a video.
Drag here or click to upload an audio file.
You can take a note on this content. What you write here is visible only to you. To view your notes, go to the bookmarks section.
