Cover of Medeski Martin and Wood Shack-Man
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For fans of medeski martin & wood,lovers of jazz-funk fusion,listeners of psychedelic jazz,music enthusiasts of 1990s experimental jam bands,those interested in layered instrumental grooves
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THE REVIEW

Judging from this little page, medeschio, martino e bosco I listened to them for the first time a year ago, casually and around the mirrored change of season; apart from a few rains, the air can still be quite torrid to sweat to the music of this super benevolent band, because with them, a bit of heat is a must.

Nineteen ninety-six, for the joy of production and because when funk settles in said decade, metaphorically something rises like the kick-snare-hi-hat of bubblehouse; we're talking about jazz where the effects are full of psychedelic derangement, yet everything sounds extremely tactile, the double bass seems to fray from one moment to another who knows where, and in the pseudo-improvisations, the jujube broth of the pedals always stirs the cards; anyway, similarly to friday afternoon in the universe there’s a shadow percussionist martin, medeski on mixed-assorted keyboards, wood ace of clubs and (this time) guitar.

Perhaps the roads to hell are paved with good intentions, in case these pearls sound to me like harmless jams with added zest; the melodies are clean yet dirty, scholastic yet ungraceful, revolve around agile jams with a limping step (think), full of overlapping rhythms (strance of the spirit regator), nighttime brackets (dracula) and guitars left to marinate in long, slow solos (spy kiss)

If I projected a dance, I would see a dance flowing in Brownian motion over a screen and that, like the music, wanders deceptively over the unforeseen that a four-four can have; saying it and then thinking about it, I find points of contact with the no less worthy strumming of both the heliocentrics and the whitefield brothers, for what I can imagine the latter squeezed a bit of medeski&co like an orange over a pyramid, giving a relatively classic jazz-funk at times even more experimental deviations.

Even if not a little hallucinatory, shack-man is an album of down-to-earth tracks, tribal and colorful like on the cover, with a pronounced bass and where with mixed assortment I also meant clavinet, synthesizer, percussion, keyboards, toy keyboards.

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Summary by Bot

The review examines Medeski Martin & Wood's 1996 album Shack-Man, highlighting its fusion of jazz and funk with psychedelic effects and layered improvisations. The album offers tactile, textured soundscapes blending clavinet, synthesizers, percussion, and slow guitar solos. While not overly experimental, it maintains a vibrant tribal and colorful vibe. The reviewer finds the jams harmless but appealing, comparing the sound to contemporaries like the Heliocentrics and Whitefield Brothers.

Tracklist

01   Dracula (04:17)

02   Strance of the Spirit Red Gator (05:55)

03   Lifeblood (07:06)

04   Henduck (04:39)

05   Think (05:20)

06   Night Marchers (04:34)

07   Jelly Belly (04:41)

08   Kenny (04:43)

09   Is There Anybody Here That Love My Jesus (04:27)

10   Bubblehouse (04:30)

11   Spy Kiss (04:27)

Medeski Martin and Wood

Medeski Martin & Wood are an American jazz-funk trio formed in New York City in 1991 by John Medeski (keyboards), Billy Martin (drums, percussion), and Chris Wood (bass). Known for groove-heavy improvisation that blends jazz, funk, hip‑hop textures, and avant‑garde excursions, they released key albums on Blue Note from 1998 to 2005 and later the Radiolarians series.
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