Italian composer, oboist and saxophonist from Campania. Active since at least 2005 with albums that blend electronic, contemporary and world music. Noted albums include Frontiere (2005), Popular Games (2010), Sùn Nà (2015), Mother Moonlight (reviewed 2018) and Ritmico non Ritmico (2022).

Plays oboe and saxophone; works with electronics; collaborations mentioned in reviews include Andrea Chimenti, Pasquale Capobianco, Irving Vairetti, Antonella Pelilli, Giulio Costanzo and pianist Enzo Oliva. Music described as minimal, atmospheric, piano-centered and influenced by contemporary and world traditions.

Max Fuschetto is an Italian composer, oboist and saxophonist from Campania whose work fuses electronic, world and contemporary music. Reviews highlight piano-centered, minimal and atmospheric albums that reward attentive listening. Recommended for listeners of ambient, experimental and crossover music.

For:Listeners of ambient, contemporary classical, experimental and world music; fans of piano-driven, minimal and cross-genre compositions.

 Max Fuschetto is a composer from Campania, an oboist and saxophonist, and an expert in electronic music.

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 Fuschetto has class and talent, and he confirms it with this “Mother Moonlight,” a delicate and moving narrative that speaks to us of the world of childhood, making us relive moments of our lives forgotten in our subconscious that manage, as if by magic, to live again in a new light.

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 “Vortex a Jackson Pollock” is perhaps the most challenging and fascinating moment of this work: the settings are very close to contemporary music and aim to bridge different languages.

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