Japanese filmmaker and screenwriter associated with 1960s pinku-eiga and radical documentary experiments; collaborator with Kōji Wakamatsu and director of A.K.A. Serial Killer (1969).

Known for political commitment and experimental approaches to documentary; work often explores youth alienation and rejects classical documentary devices. Emerged from pinku-eiga and also worked as a screenwriter; A.K.A. Serial Killer (1969) is frequently cited as a landmark.

Reviews portray Masao Adachi as a radical, politically committed Japanese filmmaker whose work bridges pinku-eiga and documentary. A.K.A. Serial Killer (1969) is highlighted as a landmark experimental documentary. His films focus on youth alienation and often reject classical documentary devices.

For:cinephiles, students of political and experimental cinema, fans of Japanese 1960s film

 

Masao Adachi is probably the most borderline director ever to walk the earth.

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