Cover of Marracash Noi, loro, gli altri
POLO

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For fans of marracash,lovers of italian hip-hop,listeners interested in philosophical rap,readers who enjoy music critique,hip-hop culture enthusiasts
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LA RECENSIONE

I haven't read Houellebecq's novel Serotonin, but I've read (around) that it contains episodes of zoophilia. Sir, it seems to me that you won't be getting my money. Well, I'm sure Marracash has read it and found it shocking, as hard as a boulder forcibly lodged in the throat. Marracash must have been reading this kind of stuff since a couple of Milanese interviewers suggested parallels between his rap writing and the great postmodern masters – albeit, obviouslyyyy, with due proportions. Marra's life is probably more boring than we imagine.

Imagine being a rapper and being forced to raise the stakes every time. The concept of the previous album was based on Bergman's Persona and on Focus Junior in the dentist's waiting room. This new one finds itself obliged to philosophize about concepts of depersonalization and class conflicts that the SocietyWeLiveIn compels us to face; but not only that, because in one track, I don't remember which, Marra even quotes Mark Fisher, a critic/philosopher you can only know if you've become Facebook friends with those ten snobs in Italy who handle his dissemination. Clearly, the Cash has become a man, and opportunity makes the man inside joker.

I'm not quite sure if this will be his fortune or the beginning of his end, I just know that these lyrics bring me back to that Young Thug meme tinkering on the computer with an intensely focused grimace; and when he attempts to do real hip-hop, that is by recovering the art of sampling, Marra relies on Ridi, pagliaccio (discovered by watching clips of Aldo Giovanni and Giacomo) and Infinity by Guru Josh Project (which even your grandma knows), which for those who don't know, aren't exactly the cutting edge of pop culture. Marra, I understand that you've fed your mind and you're seeking a balance between 50 Cent and Gadda, but from your references, I can also tell that you haven't seen Julia Ducournau's first short and maybe you haven't realized it, but trust me, for your new pals, this could be a serious issue! I'm telling you, then it's up to you. Yo.

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Summary by Bot

This review examines Marracash's album 'Noi, loro, gli altri' as a thoughtful yet sometimes uneven work. The album tackles heavy themes such as depersonalization and class conflict with a mature lyricism. While ambitious in philosophical depth, some musical and cultural references feel outdated. The reviewer remains uncertain if this approach marks a new peak or a decline for Marracash.

Tracklist

01   Loro (03:18)

02   Noi, Loro,Gli Altri Skit (00:55)

03   Gli Altri (Giorni Stupidi) (03:21)

04   Nemesi (02:55)

05   Dumbo Gets Mad Skit (00:27)

06   Cliffhanger (03:25)

07   Pagliaccio (02:57)

08   ∞ Love (03:38)

09   Io (03:15)

10   Crazy Love (03:12)

11   Cosplayer (03:41)

12   Dubbi (03:54)

13   Laurea Ad Honorem (03:15)

14   Noi (04:32)

Marracash

Marracash (Fabio Bartolo Rizzo) is an Italian rapper and songwriter who emerged from Milan’s scene with the Dogo Gang, evolving from gritty social narratives to acclaimed introspective albums like Persona and Noi, loro, gli altri.
08 Reviews

Other reviews

By JpLoyRow3

 Marracash delivers an album full of lyrical depth and emotional resonance.

 'Noi, loro, gli altri' stands out as a mature and engaging work in the Italian rap scene.