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Rating:
THE REVIEW
The Italian title is misleading and might suggest a teen comedy. Much more effective, in fact, is "The Last Word," which is certainly more fitting.
Since one of the protagonists deals with obituaries for a rundown provincial newspaper.
The not-so-young Shirley MacLaine is in great shape, in a role tailor-made for her by screenwriter Stuart Ross Fink.
Who is captivated by the "combination of egocentrism, vulnerability, humor, and empathy."
And, of course, tenacity along with a good dose of courage.
In short, not exactly a woman prone to life, as she has always been ready to speak her mind... and to choose.
Without revealing anything about the plot, the film is a small surprise: it uplifts the spirit, is pleasant, funny, and full of positive messages.
A certain lightness and an intriguingly fresh quality hover over it, which feels clean.
It is a substantial ode to life, not the glossy and fake one that engulfs us more each day. But the kind where one chooses and decides; where one lives with meaning every moment.
Certainly not being the "tourists" of existence, but throwing oneself in and trying to be present.
If possible, indeed, until the last word.
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Summary by Bot
The Last Word, directed by Mark Pellington, is a surprisingly uplifting film starring Shirley MacLaine in a fitting role. It combines humor, empathy, and tenacity to deliver a meaningful message about living life fully. The movie stands out for its fresh, light, and genuine approach, celebrating choosing and being present until the very end.
Mark Pellington, regista
American film and music-video director known for films such as Arlington Road (1999), The Mothman Prophecies (2002) and The Last Word (2017).01 Reviews
