•
Rating:
THE REVIEW
This is the third overall work by Marius Quintillus (my nickname is purely coincidental obviously) and the second in long play format, incidentally the second in just under two months. Will we ever hear it on some South Sudan radio?
With Disequazioni centrifugali, there is a shift away from the sphere of historical-political absurdity towards a critique more in a "satirical" vein of the socio-political situation, all with the usual references to sacred monsters of our past.
Loading comments slowly
Summary by Bot
Marius Quintillus delivers his third overall album, 'Disequazioni centrifugali,' shifting focus from historical-political absurdity to satirical socio-political critique. This second longplay, released shortly after the previous, maintains sharp cultural references while evolving the artist's thematic scope. It offers engaged, thoughtful commentary wrapped in musical form.
Marius Quintillus
Music artist reviewed on DeBaser with early releases including Le scimmie (non) si lavano (debut), L'i(n)mpresa eccez(z)ionale, and Disequazioni centrifugali. Reviews note novelty, limited promotion, and a shift toward satirical socio‑political critique, with a cited influence from Lucio Dalla.03 Reviews
