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This is the third overall work by Marius Quintillus (my nickname is purely coincidental obviously) and the second in long play format, incidentally the second in just under two months. Will we ever hear it on some South Sudan radio?
With Disequazioni centrifugali, there is a shift away from the sphere of historical-political absurdity towards a critique more in a "satirical" vein of the socio-political situation, all with the usual references to sacred monsters of our past.
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