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Playing with fear is a game, cinema itself is (implicitly) a game. Aspiring horror directors should study this 'La goccia d’acqua' to the last detail, as it is an excellent and still current example of how to cinematographically construct fear.
Playing with fear is a game, cinema itself is (implicitly) a game.
Aspiring horror directors should study this 'La goccia d’acqua' to the last detail, as it is an excellent and still current example of how to cinematographically construct fear.
Discover the art of fear with Mario Bava’s classic horror anthology—watch now and explore timeless cinematic scares!
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